Ataollah Zahed

Hezar-Dastan was an Iranian epic historical drama television series from 1987, developed and directed by Ali Hatami. Hezar Dastan is considered one of the most important and most influential works of art in the history of Islamic Republic of Iran Broadcasting. The production of the show took almost 8 years, starting in 1979 and ending in 1987, during which Hatami established a large set to represent Tehran in both Qajar dynasty and World War II, retroactively creating Iran's first movie studio and backlot (named Ghazali Cinema Town). The show tells the story of Reza Khoshnevis (also known as Reza Tofangchi), and his life and entanglement with corruption in government, and trying to correct it using not conventional means. The story is split into two section and it features Iran during the turbulent times of the latter days of Qajar Dynasty and during the events of World War II and Anglo-Soviet invasion of Iran.

Mohsen seems to have passed away at the peak of an unknown illness; therefore, he is placed in a coffin and sent to the cemetery.

A woman, to save her sister's life, who previously had a lover, accepts the accusation of having a lover and makes no effort to clear her name. This results in the breakdown of her life, but eventually, a letter comes to light that reveals the truth, and the sacrificing woman returns to her family.

The film tells the story of an old man named Paknahad, whose sons hid him in a nursing home to seize their father's property.

After a tragic accident of Salman, he can no longer ride a horse in the race. His son now has to fulfill his father legacy of horse racing against all odds.

Sohrab and Maryam have a happy life until....

Hezar-Dastan was an Iranian epic historical drama television series from 1987, developed and directed by Ali Hatami. Hezar Dastan is considered one of the most important and most influential works of art in the history of Islamic Republic of Iran Broadcasting. The production of the show took almost 8 years, starting in 1979 and ending in 1987, during which Hatami established a large set to represent Tehran in both Qajar dynasty and World War II, retroactively creating Iran's first movie studio and backlot (named Ghazali Cinema Town). The show tells the story of Reza Khoshnevis (also known as Reza Tofangchi), and his life and entanglement with corruption in government, and trying to correct it using not conventional means. The story is split into two section and it features Iran during the turbulent times of the latter days of Qajar Dynasty and during the events of World War II and Anglo-Soviet invasion of Iran.

Mohsen seems to have passed away at the peak of an unknown illness; therefore, he is placed in a coffin and sent to the cemetery.

Mohsen seems to have passed away at the peak of an unknown illness; therefore, he is placed in a coffin and sent to the cemetery.

A woman, to save her sister's life, who previously had a lover, accepts the accusation of having a lover and makes no effort to clear her name. This results in the breakdown of her life, but eventually, a letter comes to light that reveals the truth, and the sacrificing woman returns to her family.

A woman, to save her sister's life, who previously had a lover, accepts the accusation of having a lover and makes no effort to clear her name. This results in the breakdown of her life, but eventually, a letter comes to light that reveals the truth, and the sacrificing woman returns to her family.

A woman, to save her sister's life, who previously had a lover, accepts the accusation of having a lover and makes no effort to clear her name. This results in the breakdown of her life, but eventually, a letter comes to light that reveals the truth, and the sacrificing woman returns to her family.

Sohrab and Maryam have a happy life until....

Sohrab and Maryam have a happy life until....