
Acting
Francesca Bertini
Born — Died
1892-04-10 — 1985-10-13
Place of birth
Prato, Tuscany, Italy
Known for
Acting
Credits
61 titles
Francesca Bertini (born Elena Seracini Vitiello; 5 January 1892 – 13 October 1985) was an Italian silent film actress. She was one of the most successful silent film stars in the first quarter of the twentieth-century.
Known for
7.8The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.
1900
1976
7.2Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?
Cabiria
1914
7.0In this mesmerizing collage of silent Italian melodrama, found-footage filmmaker Peter Delpeut (Lyrical Nitrate) affectionately captures the spirit of the World War One-era cinema diva. In all-but-lost gems such as La donna nuda (1914), and Tigre reale (1916), superstars such as Lyda Borelli and Pina Menichelli portrayed heroines teetering dangerously between defiant indulgence in sexual passion and hysterical remorse at their own cruelties. Delpeut’s inventive celebration of Black Romanticism is both striking and heartbreaking in its composition—a beautifully woven narrative of tempted fate and self-torment, elegantly guided by Loek Dikker’s original score. Zeitgeist Films is proud to present Delpeut’s stunningly experimental work in all its heaving bosomed, luridly tinted glory.
Diva Dolorosa
1999
5.4Hand-tinted Italian verison of the Shakespeare Classic King Lear.
King Lear
1910
6.2Assunta and Michele are in love, but others come between them and jealousy arises. Assunta Spina stands out as an early landmark of naturalistic acting and a blueprint for the Italian Neorealist films to come.
Assunta Spina
1915
Maria and Luigi love each other in spite of their poverty, while she resists her many wealthy suitors. But their mutual enemies figure out a lie that will separate them. Maria will become temporarily rich but then she will commit a crime and will divert into the slums. There Luigi will meet her again.
L'avarizia
1918
Film credits
1970s · 2 titles
1950s · 3 titles
NRNo synopsis available yet.
A sud niente di nuovo
1956
6.7A former silent film actor who has saved old movies of his time from destruction uses them to set up recreational performances at schools. After an accidental fire and the risk of prison, he meets a rich producer who helps him to build a film museum.
The Suitcase of Dreams
1953
9.0Dora, daughter of the Marchioness of Río Zares, marries the politician Andrés. Despondent, Countess Zicka launches the lie that she is a spy.
Dora la espía
1950
1930s · 2 titles
1920s · 8 titles
9.0Raymonde (Bertini) has had a passionate affair with Giacomo (Giorgio Bonaiti) and has a son with him. Life has taken a different turn, however, and Giacomo has married Elena (Mary Fleuron).
La Ferita
1923
NROne evening at a ball, Count Georg de Clermont-Latour—a man who places great importance on convention and traditional notions of honor—surprises a young man in his wife Odette’s bedchamber. Despite her protestations that she had rebuffed the presumptuous youth and behaved with neither impropriety nor infidelity, her husband refuses to believe a word she says and casts her out of his home.
Odette
1928
The dramatic events of the composer Mario Sirchi, falsely accused of murder, and his girlfriend Adonella who is revealed to have a secret sister, Nayda.
The Poison Mood
1920
Madeleine is a beautiful married woman, hopelessly attracted to her former lover, Jacques. This obsession leads to the destruction of her life and eventually drives her to suicide, while her husband goes insane.
Maddalena Ferat
1921
8.0La Possession is a 1929 French film directed by Léonce Perret.
La Possession
1929
9.0The frenetic pace of the edit was intended to match the action, based on Article 635 of the French criminal code stipulating that after 20 years on the run, a penal colony escapee can regain his freedom if he evades capture by the police.
You Belong to Me
1929
No synopsis available yet.
La donna nuda
1922
7.0Consuelita, a young woman who longs to escape the harsh conditions of her small fishing village, is married off to a wealthy, mentally ill Englishman. (Melo)drama ensues.
Consuelita
1925
1910s · 37 titles
7.2Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?
Cabiria
1914
5.4Hand-tinted Italian verison of the Shakespeare Classic King Lear.
King Lear
1910
6.2Assunta and Michele are in love, but others come between them and jealousy arises. Assunta Spina stands out as an early landmark of naturalistic acting and a blueprint for the Italian Neorealist films to come.
Assunta Spina
1915
Maria and Luigi love each other in spite of their poverty, while she resists her many wealthy suitors. But their mutual enemies figure out a lie that will separate them. Maria will become temporarily rich but then she will commit a crime and will divert into the slums. There Luigi will meet her again.
L'avarizia
1918
5.8Based on Oscar Wilde's namesake drama. While praying, John the Baptist is captured and taken to Herod's palace, where he's locked in an underground prison. Herode desires Salome, but she has become infatuated with John. When he rejects her, Salome promises revenge. At Herod's feast, she demands John's head, which is brought to her. Herod then orders his soldiers to kill Salome as well.
Salome
1910
Elena and Zefor are brothers. They live with their mother in a wild country where smuggling reigns. At their modest home, Zefor plays the violin while she dances to entertain the bandits. Arturo, one of them, has conquered Elena's heart.
L'ira
1918
NRA film based on the drama of the same name by Antonio Gutiérrez, which formed the basis for Giuseppe Verdi's famous opera Il Trovatore. Count di Luna gives his sons identical medallions so that they can always find each other. Separated by fate for many years, they meet again when they both seek the hand of the same girl.
Il Trovatore
1910
8.0An Italian melodrama. Only the final reel survives.
Fedora
1916
5.8La Signora delle Camelie chronicles the tragic love story of courtesan Marguerite Gautier and provincial bourgeois Armand Duval. Armand’s father disapproves of the relationship and convinces Marguerite to leave Armand, making him believe that she has left him for another man.
The Lady of the Camellias
1915
6.3The Princess of Monte Cabello is divorced and is granted custody of her beloved daughter. Her ex-husband's mistress hires private detectives who take seemingly incriminating photographs of the Princess with the actor Jacques Wilson. The Princess is devastated when these cause her daughter to be taken from her, and the Princess then falls into the clutches of Wilson. In order to pay his gambling debts, Wilson forces her to humiliate herself by appearing in a play. The Princess sends a note to the Prince of Monte Cabello saying that after the first performance she will not compromise his name again.
Blue Blood
1914
No synopsis available yet.
Malìa
1917
5.2The Clemenceau Affair (Italian: Il processo Clémenceau) is a 1917 silent Italian adventure film directed by Alfredo De Antoni. The film features the first onscreen performance from Vittorio De Sica.
The Clemenceau Affair
1917
A menaced politic leaves his child with another family who will raise her unaware of her true origin. When she grows up the son of a duchess falls in love with her, but the mother rejects her based on her supposed non-aristocratic origin. Little does she suspect what truth will unveil.
L'orgoglio
1918
5.8The 1912 Italian version of Shakespeare's Romeo & Juliet.
Romeo e Giulietta
1912
7.0The actress Francesca Bertini, as every diva worthy of her name, always arrives on the set extremely late. One day, in the studio, she happened to hear a colleague actor who, back from the front, tells about the brutalities suffered by the civilians in the occupied territories. At night, still troubled by that story, Bertini falls asleep and dreams: in her dream she plays the role of Mariute, a young Friulian countrywoman, mother of three kids waiting for her husband homecoming from the frontline. One day, while she is going to the well for water, she is assaulted and molested by three enemy soldiers. Her father-in-law will avenge her. In the meantime Bertini, waking up with a start, will arrive to work on time and she will end the film inviting the public to put their savings into the war bonds.
Mariute
1918
3.5With a friend desperate for money, a merchant takes out a loan from a ruthless money-lender. Confident that his ships will soon be bringing him great wealth, the merchant willingly agrees to conditions of the loan that put him at great personal risk.
The Merchant of Venice
1911
7.0Diana is assigned to find out the details of the enemy's war tactics. Together with her partner in crime, Robertson, she manages to get in touch with Captain Argo and retrieves secret information. All is proceeding according to plan until Diana slowly gets torn by on the one hand her duty as a spy, and on the other her passionate feelings for Captain Argo.
Diana, the Enchantress
1915
6.1A example of female fantasy is L'Histoire d'un Pierrot (1913), based on a musical pantomime by Mario Costa with Francesca Bertini in the role of Pierrot and Leda Gys as Louisette. The young and naive Pierrot is led astray by the evil wine merchant Pochinet (Emilio Ghione). He hopes to distract Pierrot with drinking and gambling while he tries to seduce Louisette.
Pierrot the Prodigal
1914
9.0It tells the story of Dante Alighieri's love to Beatrice Portinari, loosely based on Dante's poetry.
Beatrice
1919
10.0"Idolo infranto is a fantastic way to appreciate Francesca Bertini in the mood for cruelty. From a tender shepherdess who inspires sublimely artistic acts, she becomes a vampire who drains souls and bank accounts with equal efficiency." - Andrea Meneghelli
Shattered Idol
1913
5.4Silent adventure film in which a horse riding woman has to save her husband from prison in a enemy country.
The Masked Amazon
1914
No synopsis available yet.
Beatrice d'Este
1912
7.0Ivonne is a vulgar, loose, promiscuous and a passionate danseuse at the tavern. Countess Edith is an angelic creature, exquisitely elegant, a finite and aristocratic heiress. Two sides of a woman with a split personality.
Ivonne, la bella danzatrice
1915
NRNo synopsis available yet.
The Cheerful Soul
1919
Film adaptation of the Celtic legend of Tristan and Iseult.
Tristano e Isolda
1911
Directed by Emilio Ghione. Lost film.
Nelly the Fast Girl
1915
9.0Odette is a 1916 Italian silent drama film based upon the play by Victorien Sardou, directed by Giuseppe de Liguoro, and starring Francesca Bertini, Alfredo De Antoni, and Carlo Benetti. It was remade in 1928 and 1935, with both versions also starring Bertini. Only 25 minutes survives of the 1916 film.
Odette
1916
Sara is a very beautiful gypsy. One fine day, she meets a rich English woman, to whom she strangely reminds her late daughter. She decides to give her an education and after her death, makes her heiress. In Naples, the young girl meets General de Canhailles, whom she marries, despite the age difference and her attraction for Lieutenant Pietro Severac, and obtains the title of princess. Having become the adulated figure of the Parisian world, Sara refuses Severac's advances. Until the day he is sent to Algeria.
La contessa Sara
1919
Charles Raleigh is a cousin of Miss Clara Burton, and is secretly in love with her. She returns his affection in secret also. Time parses and George Conway makes love to Clara. She considers his proposal of marriage long and seriously and makes entry of it in her diary. About this time Charles is called to America to look after his mining interests. He arrives in time to find himself a pauper as the result of a terrific conflagration that has swept his property. He decides to make a new start, but finds the battle difficult.
Venomous Tongues
1913
8.0Italian short drama from Baldassarre Negroni.
La terra promessa
1913
Short film.
The Charm of Violence
1912
9.0Italian film from 1912
Woman's Logic
1912
NRFilm version of the play.
Tosca
1918
9.0No synopsis available yet.
La lussuria
1919
7.0No synopsis available yet.
L'accidia
1919
9.0No synopsis available yet.
L'invidia
1919
Glotonia and Frescalia are neighbor Ducal lands. In Glotonia everyone is fond of food. Young countess Frescalinda, daughter of a citizen of each country and tutored by the Great Duchess, is compelled to marry, but she has fallen in love with captain Gallardo Amore and will try everything before acceding to an unhappy marriage.
Gluttony
1918
Behind the camera
6.2Assunta and Michele are in love, but others come between them and jealousy arises. Assunta Spina stands out as an early landmark of naturalistic acting and a blueprint for the Italian Neorealist films to come.
Assunta Spina
1915
6.2Assunta and Michele are in love, but others come between them and jealousy arises. Assunta Spina stands out as an early landmark of naturalistic acting and a blueprint for the Italian Neorealist films to come.
Assunta Spina
1915
Elena and Zefor are brothers. They live with their mother in a wild country where smuggling reigns. At their modest home, Zefor plays the violin while she dances to entertain the bandits. Arturo, one of them, has conquered Elena's heart.
L'ira
1918
8.0An Italian melodrama. Only the final reel survives.
Fedora
1916
The dramatic events of the composer Mario Sirchi, falsely accused of murder, and his girlfriend Adonella who is revealed to have a secret sister, Nayda.
The Poison Mood
1920
7.0The actress Francesca Bertini, as every diva worthy of her name, always arrives on the set extremely late. One day, in the studio, she happened to hear a colleague actor who, back from the front, tells about the brutalities suffered by the civilians in the occupied territories. At night, still troubled by that story, Bertini falls asleep and dreams: in her dream she plays the role of Mariute, a young Friulian countrywoman, mother of three kids waiting for her husband homecoming from the frontline. One day, while she is going to the well for water, she is assaulted and molested by three enemy soldiers. Her father-in-law will avenge her. In the meantime Bertini, waking up with a start, will arrive to work on time and she will end the film inviting the public to put their savings into the war bonds.
Mariute
1918




