Akira Usui

A young and beautiful female instructor. While she has a physical relationship with a guard, she also serves as a spy for the warden. She disguises herself as a prisoner and sneaks into the cells, cleverly finding out the prisoners' secrets and reporting them to the warden. As a result, a thought criminal commits suicide, and a colleague who became involved in lesbian relations with a female prisoner is punished.

A father is a Director of a hospital. His adult son is the young doctor. Both them and the nurses have unconventional methods of treating patients.

The repetition of a dull student activist's everyday life, with its limited scenery and abbreviated dialogue, slowly but surely changes with the addition of new drama. The three women's different feelings of sorrow, tenderness, and strength are deeply connected to the protagonist and flow together in a single emotion. The power of the image of a man running from his friends to the personal terrorism of a "powerful man" near the end of the film overlaps the space between the two disparate characters and makes the film more than a drama. The power of the images that run from the comrades to the personal terrorism of a "powerful" person near the end overlaps all the different spaces between them and shows us more than the development of the drama.

The repetition of a dull student activist's everyday life, with its limited scenery and abbreviated dialogue, slowly but surely changes with the addition of new drama. The three women's different feelings of sorrow, tenderness, and strength are deeply connected to the protagonist and flow together in a single emotion. The power of the image of a man running from his friends to the personal terrorism of a "powerful man" near the end of the film overlaps the space between the two disparate characters and makes the film more than a drama. The power of the images that run from the comrades to the personal terrorism of a "powerful" person near the end overlaps all the different spaces between them and shows us more than the development of the drama.