Darja Miková

Life at summer camp can be pretty challenging. It’s great to have your big sister there.

Mira and her dog Baxus live a peaceful and isolated life in the countryside, until one day they witness a shocking event. After intervening in a sexual assault in the woods near their house, they are forced to face the aftermath. Mira embarks on a transformative journey through the complexities of the justice system until the lines between humanity and nature blur irrevocably.

In his film at the intersection of an experiment and a poetic documentary, Milan Klepikov looks at the end of the world as defined by the poet Petr Král, who is convinced that children are born into a world which has in fact already ended. Trying to understand the young generation’s viewpoint and to capture the end of cinema as we know if, Klepikov wildly chases and captures visual and auditive input, which he combines into a film sketchbook consisting of fragments of the lives of young people who apparently have been through the end of the world, but who still have many years ahead of them.

Life at summer camp can be pretty challenging. It’s great to have your big sister there.

Mira and her dog Baxus live a peaceful and isolated life in the countryside, until one day they witness a shocking event. After intervening in a sexual assault in the woods near their house, they are forced to face the aftermath. Mira embarks on a transformative journey through the complexities of the justice system until the lines between humanity and nature blur irrevocably.