Nyamyn Tsegmid

After Russian troops’ departure, many street children survive in the capital city’s empty houses. Two of them, Tuguldur and Enkhee, are forced to work for the mob. They are forced to break into skyscraper apartments by attaching a rope on the rooftop to sneak into the empty flats. Every day, they risk to fall to death or be caught by police. An old man tries to help Tuguldur, but the young boy is incapable to cut the “tie” with his past.

A lyrical film about the love between a young MI-8 pilot and a top fashion model.

In the years after the People's Revolution, hundreds of temples were scattered in rural areas, and folk schools were established to teach literacy to the gangs who were studying in the monasteries.

A 2-part epic film novel based on the historical life of Khatanbaatar Magsarjav, the legendary Mongolian military general who stood out in the struggle for the independence of his country and the freedom of his people.

A 2-part epic film novel based on the historical life of Khatanbaatar Magsarjav, the legendary Mongolian military general who stood out in the struggle for the independence of his country and the freedom of his people.

The image of the Mongolian countryside, the struggle for freedom, and the changes in the minds of the people of the new social relations are reflected in the form of an epic. The main characters of the film are the well-known characters such as Erdene, his wife Dolgor, the rich Itgum, and Timur, a good glass man called "silicon", and the complex events of their lives. appears.

The image of the Mongolian countryside, the struggle for freedom, and the changes in the minds of the people of the new social relations are reflected in the form of an epic. The main characters of the film are the well-known characters such as Erdene, his wife Dolgor, the rich Itgum, and Timur, a good glass man called "silicon", and the complex events of their lives. appears.

It shows the state of Mongolia during the Patriotic War, the thoughts of the people, especially the damage caused by the war to the lives of children, and expresses the meaning of hating the war.

The image of the Mongolian countryside, the struggle for freedom, and the changes in the minds of the people of the new social relations are reflected in the form of an epic. The main characters of the film are the well-known characters such as Erdene, his wife Dolgor, the rich Itgum, and Timur, a good glass man called "silicon", and the complex events of their lives. appears.

This film shows that success can be achieved by applying the theoretical knowledge taught in the classroom to practical life, and shows that people get to know each other and become friends during the work process through the relationship between the old and the young. Myada, a student of the agricultural school, will be assigned to the hay brigade led by Dorje for training. The wise old men Baldan, Jugder, Buriad Bazar and the young haymaker Bold are experienced haymakers who work hand-in-hand and try to enforce the haying period according to the book taught to them.

A history and revolution-themed film depicting how the people's party led by D. Sukhbaatar centered the newly established state, overcame the morals of the dark times, the resistance of foreign and domestic enemies, developed the country, and made revolutionary changes.

It shows how the October Revolution affected the hearts of the Mongolian people, and how they defeated the white bandit Baron Ungern at the beginning of the revolution and put an end to his evil activities.

Russia and Mongolian warriors were shouldered through a good man's ways and struggles in a good man's ways of struggles in a good man's ways and struggles in a good man's way.

The evolution of Chimed, the main character, is shown by the evolution of a servant man who was enslaved by foreign merchants and scorned by local rich people, who found his freedom with the revolution and then strives to work for his country. The feature of the film is that the behavior of the common man is formed along with the process of the revolution, and it clearly shows how a boy from the pastoral people not only learns to read and write by benefiting from science, but also works with all his strength to educate the people's children and grows into a leading intellectual.

Based on the story "Baggy Clothes" by the writer Sh. Gaadamba, the reporter and herdsman Sevjidmaa, who is trying to spread the progress of the country and the success of the work of the working people, shows the enthusiasm of her husband Sengee's laziness and laziness of the family in a dramatic way. raised the issue of equal rights.

The evolution of Chimed, the main character, is shown by the evolution of a servant man who was enslaved by foreign merchants and scorned by local rich people, who found his freedom with the revolution and then strives to work for his country. The feature of the film is that the behavior of the common man is formed along with the process of the revolution, and it clearly shows how a boy from the pastoral people not only learns to read and write by benefiting from science, but also works with all his strength to educate the people's children and grows into a leading intellectual.

This film revolves around Choghtu Khong Tayiji, a 17th century Mongolian prince who waged a campaign of independence against Tibetan and Manchu forces.

The events of Tanker Jargal and Cavalryman Tsend show that every citizen must fight against a foreign enemy for the independence of his country. Tseren, a man who mischievously misleads the letters sent by the two to their beloved ladies, expresses the evil plot of the enemy.

The film tells about the founder of the Mongolian People's Revolutionary Party, the leader of the Mongolian People's Revolution - Damdin Sukhe-Bator.

A strange film as beautifully jumbled as the political environment out of which it sprang, like a handsome weed, "Son of Mongolia" is a travelogue of unique and authentic richness, an amusing Far Eastern horse opera of picaresque character, and a scientifically valuable anthropological document in which the Soviet film industry may well take pride. Objective and modern, yet permeated with a fresh folk quality that goes back to the reckless and lovely Tartary of Genghis Khan, it rises above all its inescapable Soviet-isms into a new frontier region of plains, mountains, tents and herds, a world still appreciably beyond the range of Western cameras.