Jorge Grau

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

While conducting interviews with women working in local brothels, Fernando, a journalist, meets Elisa. The woman will tell him her dramatic story, which begins at age 14 when she is raped by her godfather.

Actor and writer Mark Gatiss embarks on a chilling journey through European horror cinema, from the silent nightmares of German Expressionism in the 1920s to the Belgian lesbian vampires in the 1970s, from the black-gloved killers of Italian bloody giallo cinema to the ghosts of the Spanish Civil War, and finally reveals how Europe's turbulent 20th century forged its ground-breaking horror tradition.

"El Florido Pensil" is a humorous reflection of the education of several generations of Spaniards from the 1940s to the 1960s. Based on the book of the same name by Andrés Sopeña, it evokes, from the present, his memories of that time: everyday school, local radio, Roberto Alcázar's comics, Thursday cinema with Franco opening swamps and "Yon Güein" chasing and killing Indians. Through the childish eyes of a child Sopeña (Daniel Rubio) and his schoolmates, we discover a way of understanding the world, society and a Spain "of glories and flowery pensil", as the national anthem of those years used to sing.

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

No synopsis available yet.

Diego, an Argentine doctor traumatized by the soccer since his childhood, is not satisfied with his life. Javi is a representative of kids who start playing soccer, a Spanish third division manager who dreams of an opportunity to change their fate. Suddenly, the discovery of a young Argentinian star, will join Diego and Javi in a common adventure, full of surprises and and picaresque.

Pamplona, 1975: Dr. Navarro, a famous doctor in the city, feels strongly attracted to Juana, his nurse, who is also in love with the doctor. Navarro, however, moved by his strong religious convictions (in fact, he is a numerary member of Opus Dei) remains faithful to his wife and tries by all means to prevent that their relations with Juana break through professional boundaries. For the purpose of that, he orders the nurse will sent to another hospital. This will push Juana to take the initiative and provoke the doctor during San Fermines.

An overview of the history of fantasy and horror cinema from the 1960s to the present day. Co-productions, the financing system, the Matesa case, the Miró Law, and the “back-to-back” system are some of the topics discussed firsthand by those involved.

Hour-long documentary about distinctive-looking Spanish character actor Víctor Israel.

King of Horror, legendary actor, scriptwriter and director, Paul Naschy is regarded as the Spanish Lon Chaney and the most prolific filmmaker dedicated to the fantastic cinema in Spain.

A feature-length documentary exploring the history of the Spanish zombie film.

Cimera de los Infantes, Castile, Spain. The young men who meet every day in the bar La Rana Verde are bored because they barely have fun, so they decide to seduce the girls who attend a summer course in the historic castle of the town.

This is the first and only feature-length documentary on the life and cinema of the late Jorge Grau, who is most famous for his classic social-political horror masterpiece "Living Dead at Manchester Morgue" (1974), seen by some critics as a fierce critique of the Franco government albeit set in a displaced foreign locale.

Retrospective piece that features the director reflecting on several aspects of the film a quarter-century after the fact, including the performances of the actors, the development of the sound effects and music, the special effects.

Paco is the boy buttons a luxury hotel. Usually do small businesses with the resale of tickets to bullfights tourists. By a misunderstanding is fired from his job. There is no use of his taste and wanders the Victoria Street taverns. Finally discovers his only chance in bulls, easy craft that believes and loves. The reality is very different and has to accept the truth which manifests itself in a very dramatic.

Paco is the boy buttons a luxury hotel. Usually do small businesses with the resale of tickets to bullfights tourists. By a misunderstanding is fired from his job. There is no use of his taste and wanders the Victoria Street taverns. Finally discovers his only chance in bulls, easy craft that believes and loves. The reality is very different and has to accept the truth which manifests itself in a very dramatic.

An expressionist reimagining of the classic Greek myth involving Acteón and Diana, transposed to Spain's Costa Brava by a future auteur of horror cinema. Based on the myth from Ovid's Metamorphoses in which Acteón accidentally catches a glimpse of Diana, the goddess of love, and is subsequently turned into a deer for his dogs to devour, Jorge Grau's modernist retelling resets the story to contemporary Spain, where a fisherman – played by Martin LaSalle, star of Bresson's Pickpocket – follows an enchanting, flirtatious stranger into the city.

When a series of murders hit the remote English countryside, a detective suspects a pair of travelers when it is actually the work of the undead, jarred back to life by an experimental ultra-sonic radiation machine used by the Ministry of Agriculture to kill insects.

No synopsis available yet.

No synopsis available yet.

Countess Elizabeth Bathory conspires with her husband to acquire the blood of virgins to maintain her youth and beauty.

Countess Elizabeth Bathory conspires with her husband to acquire the blood of virgins to maintain her youth and beauty.

A female lawyer passionately defends criminals, believing that everyone deserves a second chance. But her latest defendants have no qualms about making her their next victim.

A female lawyer passionately defends criminals, believing that everyone deserves a second chance. But her latest defendants have no qualms about making her their next victim.

Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.

Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.

Exercise testing, with the constraint of being an independent film production and risky, is a very free version of the classic Greek myth, and has its best supplement in Contestatarios (Poemágenes 1) short film shot during the French May '68, whose exhibition was banned and which until now has not offered ever in a movie theater.

A notoriously harsh French judge, vacationing at a luxury resort, finds his holiday interrupted when a mysterious killer begins murdering those in and around the hotel.

A notoriously harsh French judge, vacationing at a luxury resort, finds his holiday interrupted when a mysterious killer begins murdering those in and around the hotel.

Filmed to praise the work of the Spanish Ministry of Housing in solving the problem of shanty towns in Bilbao, it was made to be viewed by General Franco and not for public screening or distribution through the NO-DO newsreel. Although the short film was commissioned by the Ministry of Housing, director Jorge Grau produced a subtly critical work.

Filmed to praise the work of the Spanish Ministry of Housing in solving the problem of shanty towns in Bilbao, it was made to be viewed by General Franco and not for public screening or distribution through the NO-DO newsreel. Although the short film was commissioned by the Ministry of Housing, director Jorge Grau produced a subtly critical work.

In June 1808, Napoleon's troops invade Spain. A boy named Isidro will beat his drum in the mountains of El Bruc, making the French army believe that thousands of armed men are waiting to confront them.

In June 1808, Napoleon's troops invade Spain. A boy named Isidro will beat his drum in the mountains of El Bruc, making the French army believe that thousands of armed men are waiting to confront them.

Barcelona in the early sixties: black and white chronicle of the ups and downs in the relationship of several young couples of the Catalan bourgeoisie during the time between two Saint John's eve festivals.

Barcelona in the early sixties: black and white chronicle of the ups and downs in the relationship of several young couples of the Catalan bourgeoisie during the time between two Saint John's eve festivals.

While conducting interviews with women working in local brothels, Fernando, a journalist, meets Elisa. The woman will tell him her dramatic story, which begins at age 14 when she is raped by her godfather.

While conducting interviews with women working in local brothels, Fernando, a journalist, meets Elisa. The woman will tell him her dramatic story, which begins at age 14 when she is raped by her godfather.

Pamplona, 1975: Dr. Navarro, a famous doctor in the city, feels strongly attracted to Juana, his nurse, who is also in love with the doctor. Navarro, however, moved by his strong religious convictions (in fact, he is a numerary member of Opus Dei) remains faithful to his wife and tries by all means to prevent that their relations with Juana break through professional boundaries. For the purpose of that, he orders the nurse will sent to another hospital. This will push Juana to take the initiative and provoke the doctor during San Fermines.