Margaux Fitoussi

How do the fortresses we build to protect ourselves affect the people we become? El Hara follows one man's break with the neighborhood of his youth, the Jewish quarter of Tunis, highlighting how such moments of rupture haunt us forever.

Face to Face explores the latent tensions between distance, contact, the body, nature, and different perceptions of space. The film is fragmented and revealed through repeated horizontal and vertical movements at different speeds using masks in front of the camera. A choreography that reveals the invisible between bodies, layers, and masks.

How do the fortresses we build to protect ourselves affect the people we become? El Hara follows one man's break with the neighborhood of his youth, the Jewish quarter of Tunis, highlighting how such moments of rupture haunt us forever.

How do the fortresses we build to protect ourselves affect the people we become? El Hara follows one man's break with the neighborhood of his youth, the Jewish quarter of Tunis, highlighting how such moments of rupture haunt us forever.

Face to Face explores the latent tensions between distance, contact, the body, nature, and different perceptions of space. The film is fragmented and revealed through repeated horizontal and vertical movements at different speeds using masks in front of the camera. A choreography that reveals the invisible between bodies, layers, and masks.