Gong Seon-jeong

Su-a arrives in Yangsan to visit her grandmother, but she is not home. The old lady is not someone with many places to go - just the bathhouse or the Buddhist temple.

Yeong-ju lost a friend because of the 'Seoul Halloween crowd crush' in 2022. Unable to recover from the trauma, she took a leave of absence from college and volunteered to give career counselling to middle school students while undergoing psychiatric treatment. As time passed and both her treatment and volunteer work came to an end, the traumatic autumn came around again.

A mutilated and grotesque woman’s body chases after a man. The combination of the photomontage and text represents women’s labor, expressed through uniforms and clothes, and women who were sexually objectified, conveying feminist discourses and disciplines. The chased man never understands the existence or content of the images and texts. The blunt presentation of women’s unheard voices and objectified bodies, and the excessively-visualized images, demand immediate introspection.

Su-a arrives in Yangsan to visit her grandmother, but she is not home. The old lady is not someone with many places to go - just the bathhouse or the Buddhist temple.

Yeong-ju lost a friend because of the 'Seoul Halloween crowd crush' in 2022. Unable to recover from the trauma, she took a leave of absence from college and volunteered to give career counselling to middle school students while undergoing psychiatric treatment. As time passed and both her treatment and volunteer work came to an end, the traumatic autumn came around again.

Yeong-ju lost a friend because of the 'Seoul Halloween crowd crush' in 2022. Unable to recover from the trauma, she took a leave of absence from college and volunteered to give career counselling to middle school students while undergoing psychiatric treatment. As time passed and both her treatment and volunteer work came to an end, the traumatic autumn came around again.

Yeong-ju lost a friend because of the 'Seoul Halloween crowd crush' in 2022. Unable to recover from the trauma, she took a leave of absence from college and volunteered to give career counselling to middle school students while undergoing psychiatric treatment. As time passed and both her treatment and volunteer work came to an end, the traumatic autumn came around again.

A mutilated and grotesque woman’s body chases after a man. The combination of the photomontage and text represents women’s labor, expressed through uniforms and clothes, and women who were sexually objectified, conveying feminist discourses and disciplines. The chased man never understands the existence or content of the images and texts. The blunt presentation of women’s unheard voices and objectified bodies, and the excessively-visualized images, demand immediate introspection.