Directing
Magdalena Jitrik
Known for
Directing
Credits
4 titles
Known for
A film for two screens that combines a trip through France and some visits to places related to the deportation of Jews and the German occupation, with another landscapes, sculptures, paintings, drawings and installations.
Linterna internacional
2012
NRFilm about protests, demonstrations and commemorative actions one year after the events of December 19 and 20, 2001. It documents a protest in front of the IMF headquarters, the placement of memorials to the fallen (Street Art Group, Popular Screen Printing Workshop and other collectives) and the march to Plaza de Mayo by the piquetero movements and popular assemblies.
Manifiesta
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NRFeliciano Centurión: abrazo íntimo/al natural explores the life of Feliciano Centurión, a Paraguayan artist who developed his career in Buenos Aires during the 1980s and 1990s. The film serves as an affective exercise with valuable archival material, as Feliciano, his work and his time are revisited through the memories of his Paraguayan and Argentine friends.
Feliciano Centurión: abrazo íntimo/al natural
2017
Film credits
Behind the camera
A film for two screens that combines a trip through France and some visits to places related to the deportation of Jews and the German occupation, with another landscapes, sculptures, paintings, drawings and installations.
Linterna internacional
2012
NRFilm about protests, demonstrations and commemorative actions one year after the events of December 19 and 20, 2001. It documents a protest in front of the IMF headquarters, the placement of memorials to the fallen (Street Art Group, Popular Screen Printing Workshop and other collectives) and the march to Plaza de Mayo by the piquetero movements and popular assemblies.
Manifiesta
—
NRFilm about protests, demonstrations and commemorative actions one year after the events of December 19 and 20, 2001. It documents a protest in front of the IMF headquarters, the placement of memorials to the fallen (Street Art Group, Popular Screen Printing Workshop and other collectives) and the march to Plaza de Mayo by the piquetero movements and popular assemblies.
Manifiesta
—
