Eileen Colgan

A young free-spirited Irish woman from an affluent Protestant family spontaneously befriends a street-smart commoner cheated by her family’s hostile land takeovers. They escape to America, ready to take advantage of the 19th century Oklahoma land rush.

No one expects much from Christy Brown, a boy with cerebral palsy born into a working-class Irish family. Though Christy is a spastic quadriplegic and essentially paralyzed, a miraculous event occurs when, at the age of 5, he demonstrates control of his left foot by using chalk to scrawl a word on the floor. With the help of his steely mother — and no shortage of grit and determination — Christy overcomes his infirmity to become a painter, poet and author.

An Irish Catholic family returns to 1930s Limerick after a child's death in America. The unemployed I.R.A. veteran father struggles with poverty, prejudice, and alcoholism as the family endures harsh slum conditions.

Ten-year-old Fiona is sent to live with her grandparents in a small fishing village in Donegal, Ireland. She soon learns the local legend that an ancestor of hers married a Selkie – a seal who can turn into a human. Years earlier, her baby brother was washed out to sea and never seen again, so when Fiona spies a naked little boy on the abandoned Isle of Roan Inish, she is compelled to investigate.

18th century justice catches up with a pair of grave robbers. With only a few hours to go before his date with the guillotine, Arthur Blake tells his life story to Father Francis Duffy. Before long, Arthur spills the beans on how he got started in the grim corpse peddling business with seasoned ghoul Willie Grimes.

A grieving Connecticut mother temporarily switches houses with a woman in Dublin, Ireland.

A former alcoholic returns home after ten years in prison for the murder of her husband. As her recollection of the murder returns, things take a different turn.

An orphan endures a harsh life in a workhouse before fleeing to London, where he falls in with a gang of juvenile pickpockets led by the criminal Fagin, and eventually finds a better life, exposing the cruelties of poverty and child labor in Victorian England.

A dissolute scriptwriter and a dejected actor become unwittingly drawn into a labyrinthine mess when several people experience bizarre accidental deaths in their flat. Though the men didn't deliberately cause any of the incidents, they fear that they will be unfairly pegged as murderers if they relay information to the cops, and promptly set about disposing of the corpses in gruesome ways.

Dublin, 1912: A young woman, Eveline, of about nineteen years of age sits by her window, waiting to leave home.

In Dublin, a working class family has been unsuccessful in convincing their son to get a real job: the son prefers his job of scooping up horse's dung and selling it for flower gardens. An American exchange student almost runs him over and gets to know him. The dung man has ignored warnings from his family and suddenly the horses have been banned from Dublin. His new love is leaving for America and he must find a way to cope with the new reality.

A black comedy about two old-time conmen who pretend to be able to communicate with the dead.

A Protestant Irish family is caught up in a conflict between Irish Republicans and the British army.

The lives of seven friends who share a bus from their village to Dublin every day get complicated as the reasons for their discontent are revealed.

In 1939 Ireland, a young man decides to lead a forty mile cattle drive rather than selling his cattle to an unscrupulous local buyer.

Kate, a young girl under psychiatric examination, suffers from a lack of confidence, self-esteem and self-control – telling of the “bad Kate” who commits immoral acts. Could the hypocrisy, selfishness and weakness of those around her have led to this state of mind or can Kate simply be diagnosed and dismissed as a schizophrenic?

When an elderly woman is hospitalised, the truth behind her illegal adoption of 14 children is revealed.

The first half of Ann Wolff's BFI-funded short sees the eponymous captain (played by O'Connor) enacting the bizarre actions of the verse, chewing his beard, bouncing through a window and "frowning at a passing ceiling". In the second half, a curious interplay involving a carrot unfolds at a railway station.

A man who thinks he is a train.