Yuki Aditya

A snapshot of friendship between three women, when one had unexpectedly pass away.

New cosmopolitanism started with the bromocorah’s (free agent) dynasty. Through Palah (Panataran), we see the legitimacy of his great-grandsons appropriating the power of the Central Javanese dynasty, perpetuating the throne and cultural hegemony through the story of the man in the tkes hat, Panji.

She is a teacher. She is a mother to young artists, a mother to activists of social and cultural movements. Indonesia has a long and unresolved historical wound, starting from the events of 1965, the silence of democracy and human rights activists, and the spread of identity politics. In the midst of it all, DOLO, a female sculptor opens the wounds of history through her sculptures.

Om Pius is a native Papuan from the Keerom mountains who has been living and residing with communities of various ethnicities in the coastal area of Sentani, Jayapura, since the post-Act of Free Choice in the 70s. For more than 30 years, he has been a ‘mountain man’ living with a coastal culture. The history of population displacement, violence in Papua, natural wealth, longing for the homeland, romantic past, war, hopes, and dreams, are the life stories of Om Pius which he manifests through the lottery.

An essayistic film exploring the legacies of cinema in New Order Indonesia and what it means to be inheritors of its filmic language.

Siwalaya, which means the nature of Shiva. A place where birth, glory and destruction are in perfect circle lines. In Siwalaya there are worship buildings that have stood for centuries; experiencing changes in natural and human history. For those of us who live today, what is the meaning of these buildings that are hundreds of years apart in culture and time?

A snapshot of friendship between three women, when one had unexpectedly pass away.

New cosmopolitanism started with the bromocorah’s (free agent) dynasty. Through Palah (Panataran), we see the legitimacy of his great-grandsons appropriating the power of the Central Javanese dynasty, perpetuating the throne and cultural hegemony through the story of the man in the tkes hat, Panji.

She is a teacher. She is a mother to young artists, a mother to activists of social and cultural movements. Indonesia has a long and unresolved historical wound, starting from the events of 1965, the silence of democracy and human rights activists, and the spread of identity politics. In the midst of it all, DOLO, a female sculptor opens the wounds of history through her sculptures.

Om Pius is a native Papuan from the Keerom mountains who has been living and residing with communities of various ethnicities in the coastal area of Sentani, Jayapura, since the post-Act of Free Choice in the 70s. For more than 30 years, he has been a ‘mountain man’ living with a coastal culture. The history of population displacement, violence in Papua, natural wealth, longing for the homeland, romantic past, war, hopes, and dreams, are the life stories of Om Pius which he manifests through the lottery.

An essayistic film exploring the legacies of cinema in New Order Indonesia and what it means to be inheritors of its filmic language.

Siwalaya, which means the nature of Shiva. A place where birth, glory and destruction are in perfect circle lines. In Siwalaya there are worship buildings that have stood for centuries; experiencing changes in natural and human history. For those of us who live today, what is the meaning of these buildings that are hundreds of years apart in culture and time?

After over a decade in prison, little trace of filmmaker and member of the leading Communist cultural movement Bachtiar Siagian’s life and work could be found, but Hafiz Rancajale still searched. Alongside his colleagues, they revise his mis-slandered history.

Indonesia had their so-called golden age of cinema during Soeharto's regime (1966-1998). This was marked by the increasing number of films being made, prominence of key film industry people, and censorship. Because of this, Soeharto is aware of the power of cinema. This documentary attempts to map out how the Indonesian cinematic language progresses despite the many endeavors to suppress it, and how it begins at the New Order capital of cinema, Jakarta.