Directing
O. Gautam
Known for
Directing
Credits
3 titles
Known for
10.0A total laughriot that centers around the day Thoibi decides to not marry Manibabu, a lunactic brat who makes her life a living hell by eloping with her college boyfriend, Mani. Thoibi and Mani's elopement plan goes sideways and causes a chaotic roller coaster when Manibabu comes after them and Mani's two bestfriends stumble upon a scooter with a bomb in it.
Beragee Bomb
2013
NRA muddled tranquility arises in a strict Brahmin family when the elder son Pramesor brings in a girl Thoibi, a Chingmi ningol from Kabui tribe of Keishamthong, Imphal. An adaptation of the Shumang Leela blockbuster of the same name,Oinam Gautam's film is a social commentary which tackles the rigid conventional barrier of religion and community.
Keishamthong Thoibi
2008
NRWhen job, time and situation snatches her only son away from her lap, Sanajaoba's mother longed for her gem to come back. Yaiphabee, Sanajaoba's younger sister, acts as a catalyst to bridge the strained relationship between Sanajaoba and his mother. A slice of the evolving socio-political scenario of Manipur (and the northeast at large) is captured through the lens of Sanajaoba's family.
Phijigee Mani
2011
Behind the camera
10.0A total laughriot that centers around the day Thoibi decides to not marry Manibabu, a lunactic brat who makes her life a living hell by eloping with her college boyfriend, Mani. Thoibi and Mani's elopement plan goes sideways and causes a chaotic roller coaster when Manibabu comes after them and Mani's two bestfriends stumble upon a scooter with a bomb in it.
Beragee Bomb
2013
NRA muddled tranquility arises in a strict Brahmin family when the elder son Pramesor brings in a girl Thoibi, a Chingmi ningol from Kabui tribe of Keishamthong, Imphal. An adaptation of the Shumang Leela blockbuster of the same name,Oinam Gautam's film is a social commentary which tackles the rigid conventional barrier of religion and community.
Keishamthong Thoibi
2008
NRWhen job, time and situation snatches her only son away from her lap, Sanajaoba's mother longed for her gem to come back. Yaiphabee, Sanajaoba's younger sister, acts as a catalyst to bridge the strained relationship between Sanajaoba and his mother. A slice of the evolving socio-political scenario of Manipur (and the northeast at large) is captured through the lens of Sanajaoba's family.
Phijigee Mani
2011
