Amil Mikati

When Adriana, the mother, becomes convinced that a perfect family consists of only two children, the arrival of a new baby, Tomas, turns their world upside down. Ignoring Tomas entirely, the family is plunged into a surreal struggle where every member must fight for their place.

A current of thought unites the three episodes in a coherent way, embodied with few elements, and that makes of space, time, and movement, purely cinematographic modes of expression. Voice is not needed. Yes there are sounds, music, but not human voices, as in primitive cinema. There are faces, slow or fast movements, despair, fatality, a barely glimpsed horror, desire and fear of freedom. There is also love, perhaps as an illusion, rather than as a reality.

In the square and tidy universe of an unconventional family, Mother is the guardian of order and Junior the distorting agent.
 A house where everything that doesn't fit, goes to waste.

After the death of her husband, Cecilia joins her childhood friends to embark on a trip to Pacasmayo that will put their friendship to the test.