Kurnia Yudha Fitranto

Irfan (29), a musician and songwriter who interprets development phenomena in his neighborhood into a collaborative art project "Sidewalk Flowers" ("Bunga Trotoar"). The concept: recording traces of human interaction with urban growth in the form of musical performances that are open to interdisciplinary collaboration.

The efforts of Silvester, an artist who is also a civil servant at the East Flores Regency Tourism Office, in taking part in a cultural festival in his area, Lewolema, Indonesia. The Lewolema indigenous people for almost half a century have not recognized their space for cultural expression. Festivals, he believes, are celebrations where cultural egalitarian spaces are recreated. This film also portrays how to place artistic work in an effort to maintain heritage and traditions with tourism which has a different way.

A documentary filmmaker, was awaiting the birth of her first child during the Covid-19 pandemic. Meanwhile, he received a grant from Rekam Pandemi, a form of social safety net for arts workers to create documentaries that record the events and stories regarding the outbreak. Along the way, he met artists and arts exhibition organizers who were planning to hold exhibitions. He was later asked to collaborate on the making of audiovisual products as a strategy of organizing arts activities during the pandemic. Halfway through, his mother, who had been looking forward to having a grandchild for a long time, died of cirrhosis. He tried his best to get through the phases of life, birth, and death, all taking at the same time while he still had work to do.

Irfan (29), a musician and songwriter who interprets development phenomena in his neighborhood into a collaborative art project "Sidewalk Flowers" ("Bunga Trotoar"). The concept: recording traces of human interaction with urban growth in the form of musical performances that are open to interdisciplinary collaboration.

The efforts of Silvester, an artist who is also a civil servant at the East Flores Regency Tourism Office, in taking part in a cultural festival in his area, Lewolema, Indonesia. The Lewolema indigenous people for almost half a century have not recognized their space for cultural expression. Festivals, he believes, are celebrations where cultural egalitarian spaces are recreated. This film also portrays how to place artistic work in an effort to maintain heritage and traditions with tourism which has a different way.

The efforts of Silvester, an artist who is also a civil servant at the East Flores Regency Tourism Office, in taking part in a cultural festival in his area, Lewolema, Indonesia. The Lewolema indigenous people for almost half a century have not recognized their space for cultural expression. Festivals, he believes, are celebrations where cultural egalitarian spaces are recreated. This film also portrays how to place artistic work in an effort to maintain heritage and traditions with tourism which has a different way.

A documentary filmmaker, was awaiting the birth of her first child during the Covid-19 pandemic. Meanwhile, he received a grant from Rekam Pandemi, a form of social safety net for arts workers to create documentaries that record the events and stories regarding the outbreak. Along the way, he met artists and arts exhibition organizers who were planning to hold exhibitions. He was later asked to collaborate on the making of audiovisual products as a strategy of organizing arts activities during the pandemic. Halfway through, his mother, who had been looking forward to having a grandchild for a long time, died of cirrhosis. He tried his best to get through the phases of life, birth, and death, all taking at the same time while he still had work to do.