
Art
ordnajelA zenìtraM (Alejandro Martínez)
Place of birth
Alcalá de Henares
Known for
Art
Credits
4 titles
ordnajelA zenìtraM (Alejandro Martínez) is a plastic and audiovisual artist, doing mainly, but not exclusively, illustrations and animations, both as a freelancer and as an author. Beyond his artistic career, he is a climate activist. He also teachs how to use art as a tool to promote social change in relation to the Climate Emergency.
Known for
NRAfter feeling that he does not belong to the world around him, he withdraws into himself in an inner world in which he lives through books and movies, but ends up feeling like a spectator in his own life.
Spectator
2021
NRThaumatrope n°1 is an avant-garde non-narrative animation created physical using the Victorian optical toy. The thaumatropes are made through a combination of illustrations and photographs. It aims to portrait anxiety and explore ways to expand cinematic language.
Thaumatrope nº1
2022
NRAdventurer and filmmaker James Levelle crosses the globe almost fossil fuel free to get to the ill-fated UN Climate Conference in Chile and deliver messages from the world's youth he has collected on the way. Undaunted by any of the myriad obstacles put in his way, including the cancellation of the conference, our intrepid hero never wavers from his thrilling, life-affirming (and threatening) mission.
Race for the Future
2023
Film credits
Behind the camera
NRAfter feeling that he does not belong to the world around him, he withdraws into himself in an inner world in which he lives through books and movies, but ends up feeling like a spectator in his own life.
Spectator
2021
NRAfter feeling that he does not belong to the world around him, he withdraws into himself in an inner world in which he lives through books and movies, but ends up feeling like a spectator in his own life.
Spectator
2021
NRThaumatrope n°1 is an avant-garde non-narrative animation created physical using the Victorian optical toy. The thaumatropes are made through a combination of illustrations and photographs. It aims to portrait anxiety and explore ways to expand cinematic language.
Thaumatrope nº1
2022
