Bijan Ganjali

A mosaic of stories explore Iranian modernity. Following a Persian literary model, personal dilemmas, fanciful speculations and historical motifs follow one another, establishing evocative correspondences between them. From the commitment with which the characters narrate events, it is clear that, beyond history, human time corresponds to myth and anecdote: mythological birds, misregistered surnames, scars from chemical weapons, and memories of deceased women.

It’s an ironic portrayal of Iran’s history by the inhabitants of the city of Isfahan, presented in four parts, and about the wind that sweeps everything away.

Amir is in charge of an insurance office. His wife realizes his betrayal and separates, and Amir is not allowed to see his child. A child who is informed of his existence in the struggle of separation. In the eyes of others, Amir has become a disgraceful traitor and is overwhelmed. Strangely, he finds a potion to travel to the past and returns to the night of betrayal with the intention of compensating for his mistake, but ..