Step C.

Poetry on Film is a moving image commissioning project for young and emerging Hong Kong filmmakers, motivated by the belief that poetry possesses an inherent cinematic quality. Its rhythmic cadence, vivid imagery, and emotional depth offer a rich tapestry for filmmakers to weave their visual narratives. Animator STEP C., narrative filmmaker Chu Hoi Ying, analogue film artist Jolene Mok, and documentarian Lee Wai Shing were asked to choose a contemporary Chinese-language poem written by a local writer, then visualise it using their personal cinematic language. The resulting shorts showcase the diversity of Hong Kong moving image practice, with unique approaches to medium, storytelling, cinematography, and sound.

Inspired by the poem A Snail in a Phone Box (2006) by Dr Eric Lui. The work synthesises new insights into visuals and poetry. What begins as a promise evolves into an exploration of the emotional links between poetry and the art of loving, eventually transforming into a hegemony of power. To recreate this message, director and animator Step C. developed a new surreal style that combines live action with animation, building a realm that blurs the boundaries between reality and dreams.

“Human race will just surrender to fear by betraying our true feeling.” – Taizo Kato. The value and happiness of people should not be built on others. If you try to find someone to complete your life, your self-value will become dependent on others and will feel incomplete when you lose this person.

The film portrays the author's fear of how Hong Kong has changed and how she faces her emotions. It feels like the soul is broken into many pieces, but if we survive, depths of night will eventually pass.

We can see things differently when we see things from different angles.

Poetry on Film is a moving image commissioning project for young and emerging Hong Kong filmmakers, motivated by the belief that poetry possesses an inherent cinematic quality. Its rhythmic cadence, vivid imagery, and emotional depth offer a rich tapestry for filmmakers to weave their visual narratives. Animator STEP C., narrative filmmaker Chu Hoi Ying, analogue film artist Jolene Mok, and documentarian Lee Wai Shing were asked to choose a contemporary Chinese-language poem written by a local writer, then visualise it using their personal cinematic language. The resulting shorts showcase the diversity of Hong Kong moving image practice, with unique approaches to medium, storytelling, cinematography, and sound.

Inspired by the poem A Snail in a Phone Box (2006) by Dr Eric Lui. The work synthesises new insights into visuals and poetry. What begins as a promise evolves into an exploration of the emotional links between poetry and the art of loving, eventually transforming into a hegemony of power. To recreate this message, director and animator Step C. developed a new surreal style that combines live action with animation, building a realm that blurs the boundaries between reality and dreams.

“Human race will just surrender to fear by betraying our true feeling.” – Taizo Kato. The value and happiness of people should not be built on others. If you try to find someone to complete your life, your self-value will become dependent on others and will feel incomplete when you lose this person.

“Human race will just surrender to fear by betraying our true feeling.” – Taizo Kato. The value and happiness of people should not be built on others. If you try to find someone to complete your life, your self-value will become dependent on others and will feel incomplete when you lose this person.

The film portrays the author's fear of how Hong Kong has changed and how she faces her emotions. It feels like the soul is broken into many pieces, but if we survive, depths of night will eventually pass.

The film portrays the author's fear of how Hong Kong has changed and how she faces her emotions. It feels like the soul is broken into many pieces, but if we survive, depths of night will eventually pass.

We can see things differently when we see things from different angles.

We can see things differently when we see things from different angles.