Foivos Dousos

Golfe is an adaptation of the 19th-century bucolic idyll of Golfo and the eponymous first silent feature film of Greek cinema in 1914. The film reimagines the classic late 19th-century greek drama in a 21st-century context rethinking the recent European economic and political crisis between Greece and Germany. The new story of Golfe highlights particular ideological traits that gained popularity within the indignation movement and parliamentary politics in Greece during the time of an imminent Grexit. The film employs elements of Esoteric Nazism, Perennialism, Eurasianism, and the Third-Rome doctrine to reflect on nationalism and the dark ideological intricacies of that period.

A psychedelic docu-essay, inspired by Arthur Rimbaud’s visionary poem Une Saison en Enfer, in which the poet’s ghost travels through history, encountering revolutionary figures and queer ‘freaks’ such as Emma Goldman, David Wojnarowicz, and Marsha P. Johnson. These encounters form a multilayered collage that interrogates identity, the meaning of revolution, and the role of the artist in shaping radical histories and collective imaginaries.

FYTA become plants dressing up as people staging a theater play about plants. The mirroring of embodiment, fantasy and representation creates a series of surreal interactions where sexuality meets relaxation, impossible relationships find theatrical resolutions and an excursion to a deserted resort turns into post-human documentary on nature.

A psychedelic docu-essay, inspired by Arthur Rimbaud’s visionary poem Une Saison en Enfer, in which the poet’s ghost travels through history, encountering revolutionary figures and queer ‘freaks’ such as Emma Goldman, David Wojnarowicz, and Marsha P. Johnson. These encounters form a multilayered collage that interrogates identity, the meaning of revolution, and the role of the artist in shaping radical histories and collective imaginaries.

FYTA become plants dressing up as people staging a theater play about plants. The mirroring of embodiment, fantasy and representation creates a series of surreal interactions where sexuality meets relaxation, impossible relationships find theatrical resolutions and an excursion to a deserted resort turns into post-human documentary on nature.

Avant-Drag! paints portraits of ten drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism.

Avant-Drag! paints portraits of ten drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism.