Fil Ieropoulos

Golfe is an adaptation of the 19th-century bucolic idyll of Golfo and the eponymous first silent feature film of Greek cinema in 1914. The film reimagines the classic late 19th-century greek drama in a 21st-century context rethinking the recent European economic and political crisis between Greece and Germany. The new story of Golfe highlights particular ideological traits that gained popularity within the indignation movement and parliamentary politics in Greece during the time of an imminent Grexit. The film employs elements of Esoteric Nazism, Perennialism, Eurasianism, and the Third-Rome doctrine to reflect on nationalism and the dark ideological intricacies of that period.

A diaristic chronicle around the injured body, pain, mourning, obsessive thoughts and the inability to communicate. Veronique and Filtig build a complex relational drama where family trauma meets post-apocalyptic despair.

FYTA become plants dressing up as people staging a theater play about plants. The mirroring of embodiment, fantasy and representation creates a series of surreal interactions where sexuality meets relaxation, impossible relationships find theatrical resolutions and an excursion to a deserted resort turns into post-human documentary on nature.

A psychedelic docu-essay, inspired by Arthur Rimbaud’s visionary poem Une Saison en Enfer, in which the poet’s ghost travels through history, encountering revolutionary figures and queer ‘freaks’ such as Emma Goldman, David Wojnarowicz, and Marsha P. Johnson. These encounters form a multilayered collage that interrogates identity, the meaning of revolution, and the role of the artist in shaping radical histories and collective imaginaries.

A psychedelic docu-essay, inspired by Arthur Rimbaud’s visionary poem Une Saison en Enfer, in which the poet’s ghost travels through history, encountering revolutionary figures and queer ‘freaks’ such as Emma Goldman, David Wojnarowicz, and Marsha P. Johnson. These encounters form a multilayered collage that interrogates identity, the meaning of revolution, and the role of the artist in shaping radical histories and collective imaginaries.

Golfe is an adaptation of the 19th-century bucolic idyll of Golfo and the eponymous first silent feature film of Greek cinema in 1914. The film reimagines the classic late 19th-century greek drama in a 21st-century context rethinking the recent European economic and political crisis between Greece and Germany. The new story of Golfe highlights particular ideological traits that gained popularity within the indignation movement and parliamentary politics in Greece during the time of an imminent Grexit. The film employs elements of Esoteric Nazism, Perennialism, Eurasianism, and the Third-Rome doctrine to reflect on nationalism and the dark ideological intricacies of that period.

Trud is a video performance/comment on the capitalist production and reproduction of the self. Between welding and ironing, everything is work, labor, pain.

A retro-futurist story of utopian politics, ideological conflicts, supernatural leaders and totalitarian spectacle. Cyberpunk queer pirates against rainbow homo-capitalist normies. Revolution vs reformism; logic vs affect. The trappings of post-internet identity politics through a contemporary take of the myth of Orpheus.

A diaristic chronicle around the injured body, pain, mourning, obsessive thoughts and the inability to communicate. Veronique and Filtig build a complex relational drama where family trauma meets post-apocalyptic despair.

A short film based on the short story "3.14 thoughts in order not to think of you" from Andriana Minou's book, "Underage Noirs" (Strange Days Books). Featuring Alpha Kartsaki and voiced by Tianna Rowland-Furini. It was filmed on a 1984 VHS Panasonic camcorder.

Brace yourselves for a meta-tantric experience, where affirmation and post/anti-cybernetic nature unite. Discarding a world of deception and illusionary appearance, subjects and objects collide in a carnal triumph. At once earthly and metaphysical. Combustion of intertwining remains.

FYTA become plants dressing up as people staging a theater play about plants. The mirroring of embodiment, fantasy and representation creates a series of surreal interactions where sexuality meets relaxation, impossible relationships find theatrical resolutions and an excursion to a deserted resort turns into post-human documentary on nature.

Avant-Drag! paints portraits of ten drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism.