Werner Biedermann

No synopsis available yet.

If film be an extract of Life – minus the boring parts in between – then the short film ’Sapperlot’ is the dreamlike quintessence of cinematography. Essential aspects of film reception are summarized in a sociological commentary by Dr. Gerhard Schäuble, while free-wheeling snippets of panoramic film footage combined with found footage excerpts illustrate the text in a kaleidoscopic manner. The variety of visual and acoustic impressions are elusive, as they are nourished by illogical hallucinatory memories of life and the awareness of secret, often suppressed, desire(s).

No synopsis available yet.

If film be an extract of Life – minus the boring parts in between – then the short film ’Sapperlot’ is the dreamlike quintessence of cinematography. Essential aspects of film reception are summarized in a sociological commentary by Dr. Gerhard Schäuble, while free-wheeling snippets of panoramic film footage combined with found footage excerpts illustrate the text in a kaleidoscopic manner. The variety of visual and acoustic impressions are elusive, as they are nourished by illogical hallucinatory memories of life and the awareness of secret, often suppressed, desire(s).

If film be an extract of Life – minus the boring parts in between – then the short film ’Sapperlot’ is the dreamlike quintessence of cinematography. Essential aspects of film reception are summarized in a sociological commentary by Dr. Gerhard Schäuble, while free-wheeling snippets of panoramic film footage combined with found footage excerpts illustrate the text in a kaleidoscopic manner. The variety of visual and acoustic impressions are elusive, as they are nourished by illogical hallucinatory memories of life and the awareness of secret, often suppressed, desire(s).

If film be an extract of Life – minus the boring parts in between – then the short film ’Sapperlot’ is the dreamlike quintessence of cinematography. Essential aspects of film reception are summarized in a sociological commentary by Dr. Gerhard Schäuble, while free-wheeling snippets of panoramic film footage combined with found footage excerpts illustrate the text in a kaleidoscopic manner. The variety of visual and acoustic impressions are elusive, as they are nourished by illogical hallucinatory memories of life and the awareness of secret, often suppressed, desire(s).

No synopsis available yet.