Manon Praliné

While COVID-19 times pushed us to redefine relationships and desires, Salty Chéri and Manon Praline decided to play consciously with the power dynamics between filmmaker and performer: Salty set up three blind dates for Manon. Being uninformed about her partners or what would happen, she had to let go of expectations.

What does a violent flirtation with the camera look like? Performer Manon Praline and director Evie Snax take us on a sensual solo striptease - loaded with trans * femininity, queer romance and radical self-acceptance.

On October 4th, 2007 Arantza, the director of the film, was detained and taken to prison. She remembers a few things about those days: endlessly walking around the prison exercise yard, swimming competitions, Rasha's prison journey... After 918 nights locked up, Arantza is set free. From then onwards, she recorded her memories and doubts, which are heard throughout the documentary as a kind of fragmented memoir.

Housewife April Flores' washing machine breaks down. When dykey plumber Manon Praline arrives, April turns on her bimbo charm, and reveals her real intentions. Soon Manon is sliding into April's velvet robe, and she wants that wrench where?!

Through post-porn, performance and wrestling, Puck tries to figure out her place in the world.

Filmed performance or public filming? Theater or cinema? What is the influence of the audience on intimate relationships, and vice versa? Sold Out is a live threesome, between two femmes and a photographer. The magnificent lounge of the Spoutnik cinema is transformed into an explicit playground. Around the Camera and through the screen, the performers' bodies tune in for the lens and then ignite for the audience.

Every story on this digital download is inspired by a confession submitted to Erika Lust’s site XConfessions.com, where anonymous members of the public submit their wildest and most personal sexual fantasies. Included: Don't Call Me a Dick; My Abduction Fantasy; Sex and Sensibility; The Toilet Line; Tie Me Up! A Shibari Documentary; We Are the Fucking World.

Manon Praline is turning 40 and for her birthday, her sweet and sadistic Leather Family planned a very special celebration. Seven eager tops await their precious babygurl--eager to devour her like cake with their hands, mouths, tools, and toys. Manon thanks her family profusely as they each take their turn wishing her a very happy birthday.

Pervy pets Manon Praline and Faiska Meloso can't keep their paws off each other in this hot, gonzo home movie!

The air is heavy with erotic tension when Jamal and Manon meet in this vivid and stylish t4t tableau. Our duo begins a breath play slow-dance as Manon teases Jamal with a thin bag, dipping the silky plastic into his mouth and over his nose, catching his breath. Adding layers of plastic, Manon smothers her plaything with her fingers, tits, and cunt as Jamal gasps for air. When Manon straps a cock to Jamal’s mouth, he dutifully fucks Manon before offering up his hole to her in an electrifying crescendo.

One more day at work at the girls' garage. In a play on classic French porn of yesteryear, Lola Tormento goes to get her car fixed, but is it really her car engine that is leaking?

Madame Manon is proud to show off her gorgeous and so perfectly obedient babydoll Puck Ellington. The Femmedomme uses the doll as her personal toy for pleasure, breaking through the limits of ethically acceptable sex practices.

Cobalt and Manon Praline have followed each other on social media for some time but never had the chance to meet. They finally meet to hook up and bring their favorite toys with them.

Six years after her bottom surgery, Manon Praline shares a moving testimony of the challenges and joys she encountered on that journey. Her story is complemented with beautiful imagery shot by artist Eva Wu in the dramatic landscape of the North American Southwest, and scored by Pride Month Barbie’s musical sensation Josephine Shetty.

Housewife April Flores' washing machine breaks down. When dykey plumber Manon Praline arrives, April turns on her bimbo charm, and reveals her real intentions. Soon Manon is sliding into April's velvet robe, and she wants that wrench where?!

Filmed performance or public filming? Theater or cinema? What is the influence of the audience on intimate relationships, and vice versa? Sold Out is a live threesome, between two femmes and a photographer. The magnificent lounge of the Spoutnik cinema is transformed into an explicit playground. Around the Camera and through the screen, the performers' bodies tune in for the lens and then ignite for the audience.

One more day at work at the girls' garage. In a play on classic French porn of yesteryear, Lola Tormento goes to get her car fixed, but is it really her car engine that is leaking?

Madame Manon is proud to show off her gorgeous and so perfectly obedient babydoll Puck Ellington. The Femmedomme uses the doll as her personal toy for pleasure, breaking through the limits of ethically acceptable sex practices.

Madame Manon is proud to show off her gorgeous and so perfectly obedient babydoll Puck Ellington. The Femmedomme uses the doll as her personal toy for pleasure, breaking through the limits of ethically acceptable sex practices.