Radka Caldová

Gerta grows up in 1930s Brno in a mixed Czech-German family, which brings her into conflict with her father as he embraces Nazi ideology. Despite this, they remain connected through their shared love of music. During the occupation, Gerta joins the student resistance with her beloved Karel, but the war takes everything from her and leaves her with a dark secret that shapes her future. After the war, though innocent, Gerta is violently forced into the wild expulsion and must leave her hometown with her infant daughter. She survives the hardest years on a rural farm, reunites with Karel, and returns to Brno hoping for a normal life—yet the past continues to haunt her. The two-part TV film Gerta Schnirch offers a personal view of 20th-century history through the fate of a woman caught between two worlds.

In 1870 Friendship, Wisconsin, a small town of Scandinavian settlers still suffering the repercussions of the recent Civil War. When faced with a new and even deadlier threat, one man is forced to make a harrowing choice: save his young family or defend the community that gave him a second chance at life and meaning.

Just before World War 1, the fifteen-year-old poverty-stricken Anne from a small Slovak town is sent to Prague to be a maid in a wealthy family. She meets Resi, the daughter of a noble family, who was born and raised to be an adornment and a trophy – of the house, of her family, of Austria-Hungary. Anne and Resi, two girls born in the same year, but at the other ends of the social ladder, find a soulmate in each other. They become best friends, lovers and the only light in a male-dominated world.

A devoted gardener and his wife live peacefully at the foot of a hill, tending their nursery according to nature’s rhythms. When a new castle owner seeks to transform the entire estate and demands they sell their garden business, the couple refuses. In response, the owner erects barbed-wire fences and places a guard at the entrance road…

Vojtěch, an insecure stage prompter living with diastrophic dwarfism, is given a rare chance to fulfill his dream: playing the lead in Cyrano de Bergerac. When the actor he replaced threatens to return, Vojtěch faces a moral choice—fight for the spotlight at any cost, or retreat to the shadows and let the chance slip away.

A misfit teenager, an anxious mother, and a recent widow see their day interrupted by a mysterious natural phenomenon. As their world descends into chaos, the three women struggle to find their place in life.

The film takes place in one house, at an unspecified place, at an unspecified time. In this house, twelve dialogue stories take place and all have one thing in common - oppressive hopelessness. We witness everyday problems that become absurd under a distorted lens and become all the more real. The film follows with almost morbid interest the fates of people who, based on their actions and incompetence, are doomed. The question remains how far the characters from this "house" are.

Distance. How far are we able to go, when the mood is thickening? Distance. How far apart are we able to be and yet still be as close as possible? Distance. One round and you are out.