Simon Fisher-Turner

On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. Bendrix's obsession with Sarah is rekindled; he succumbs to his own jealousy and arranges to have her followed.

Private eye Philip Marlowe investigates a case of blackmail involving the two wild daughters of a rich general, a pornographer and a gangster.

A retelling of the life of the celebrated 17th-century Baroque painter Michelangelo Merisi da Caravaggio through his brilliant, nearly blasphemous paintings and his flirtations with the underworld.

Spring 1991: queer life is under attack in Britain, and Derek Jarman is turning Edward II into a radical protest film. Told through unseen behind-the-scenes footage, this is a story of the power and cost of queer visibility — then and now.

After decades abroad, Iona returns to her childhood home on Fiji, sensing that there she might find the answers to many questions she has about civilisation and its discontent.

Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.

Two girls, one from Germany, the other from Japan meet and become friends in London, but soon discover things aren't what they seem.

A popular member of the Oxford community is killed and nobody figure out why. A police inspector is called in from Scotland Yard and discovers there may be more to the victim than anyone knows.

Skindivers on holiday in Malta discover strange world beneath the sea.

The eponymous party is hosted by Queenie and Burrs, long-term lovers who are rapidly growing apart.

Using interviews with close family, friends and collaborators, The Gospel According to St. Derek bears witness to Derek Jarman’s unique approach to low-budget film-making (his near-alchemical ability to turn the base components of film-making in to artistic gold, his placing of himself at the heart of all his work and his need to be part of a repertory company-type set-up). The Gospel… also promotes Derek Jarman’s importance as one of Britain's finest film-makers and acts, therefore, as a rally call to all would-be independent film-makers. This is the ’10 commandments of St. Derek ‘(who was indeed canonised by the Sisters of Perpetual Indulgence) on low-budget film-making.