Igor Khutsiev

This visually evocative drama, directed by the legendary Marlen Khutsiev and completed after his death, is inspired by the real-life encounters between Anton Chekhov and Leo Tolstoy. Through a series of intimate conversations, the two literary giants confront the fundamental questions of existence—life, death, faith, and immortality. In doing so, they reveal profoundly different worldviews, yet ones rooted in a shared cultural tradition and bound by mutual respect. In 2026, the film was finished at the initiative of Marlen Khutsiev’s friends and colleagues.

The film invites its viewers to reflect on where modern sports have come to. Does a young, honest and uncompromising athlete have a future in the sport or must he go along with the dishonest tricks and the mean game that comes from it all?

The film consists of three short stories: 'The Unhappy Matryonka', 'Brother Fedos' and 'Vanka-Cain'.

The second World War echoes throughout the whole Khutsiyev's oeuvre. The director himself did not participate in the war: "The thing is, I didn't fight. I had been a sickly boy, so I was turned down because I still looked like a child. This is sort of like a debt I've been repaying ever since". In "People of 1941", Khutsiyev recites his favourite pieces by war poets and invokes documentary footage.

This visually evocative drama, directed by the legendary Marlen Khutsiev and completed after his death, is inspired by the real-life encounters between Anton Chekhov and Leo Tolstoy. Through a series of intimate conversations, the two literary giants confront the fundamental questions of existence—life, death, faith, and immortality. In doing so, they reveal profoundly different worldviews, yet ones rooted in a shared cultural tradition and bound by mutual respect. In 2026, the film was finished at the initiative of Marlen Khutsiev’s friends and colleagues.

The film invites its viewers to reflect on where modern sports have come to. Does a young, honest and uncompromising athlete have a future in the sport or must he go along with the dishonest tricks and the mean game that comes from it all?

The film consists of three short stories: 'The Unhappy Matryonka', 'Brother Fedos' and 'Vanka-Cain'.

The film consists of three short stories: 'The Unhappy Matryonka', 'Brother Fedos' and 'Vanka-Cain'.

The second World War echoes throughout the whole Khutsiyev's oeuvre. The director himself did not participate in the war: "The thing is, I didn't fight. I had been a sickly boy, so I was turned down because I still looked like a child. This is sort of like a debt I've been repaying ever since". In "People of 1941", Khutsiyev recites his favourite pieces by war poets and invokes documentary footage.