Brooke Hayward

A marine biologist teaches his dolphins to communicate in English but shady characters plan to kidnap the trained mammals for a more sinister purpose.

The story of a young, gay, black, con artist who, posing as the son of Sidney Poitier, cunningly maneuvers his way into the lives of a white, upper-class New York family.

One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for each filmmaker was to keep each short under three minutes, to set it in one hotel room, and to include the sentence “I miss Sonja Henie." This experimental film was shot over a single night at the international film festival FEST in Beograd in 1971.

Killer Vincent "Mad Dog" Coll moves in on gangster Dutch Schultz in 1920s New York.

Hollywood's controversial creative genius, whose career spans multiple generations of moviegoers, is profiled in "Crazy About the Movies: Dennis Hopper."

Two families react differently to their teenage children getting married

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The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.

Shot during Warhol's cross-county trip to Los Angeles during his second exhibition at the Ferus - the same trip during which he filmed the footage for Elvis at Ferus. Locations included Hollywood, Malibu, Venice, Pasadena, Topanga Canyon, the Santa Monica pier and the Beverly Hills Hotel.

Brooke Hayward is framed off-centre against a completely black background, with a single light source sharply angled onto her face from the right. She starts with a smile at someone off-screen, but then becomes more pensive, gazing down and furrowing her brows.