Constantine Costi

In a quaint Scottish village in the Highlands, contenders from around the globe gather to compete for the title of World Porridge Champion armed only with oats, salt and water. As the ailing Porridge Chieftain's tenure ends, he embarks on a mission to find a successor. Amidst intense rivalries and the charm of eccentric locals, this documentary delves into the legacy of the village and unveils a captivating culinary spectacle.

Director Constantine Costi helms Verdi’s tragic masterpiece against the stunning backdrop of Sydney Harbour, starring Stacey Alleaume as the doomed courtesan Violetta alongside dashing tenor Rame Lahaj as Alfredo. Brian Thomson’s vibrant set design features a showstopping Swarovski crystal chandelier suspended over a vast stage, perfectly evoking a whirlwind world of glamorous Parisian parties. Australian-Mauritian soprano Stacey Alleaume delivers a magnetic performance as Violetta, sharing an intense chemistry with Kosovo-born tenor Rame Lahaj as her passionate lover, Alfredo. Conductor Brian Castles-Onion expertly guides the orchestra through the effervescent drinking song ‘Brindisi’ and the soaring emotional heights of ‘Sempre Libera’, making this a truly unforgettable evening under the stars.

Our hero begins her journey through an unsettling and painterly world. She drives down a highway, arrives at an abandoned house, travels through a seemingly endless corridor of broken-hearted lovers, praises love out of a window, and finds furtive romance in a garden. Familiar domestic spaces are rendered uncanny as she muses on love and its power to intoxicate the world around us. This moody vision is torn apart and laid bare. A frenzied film set is deconstructed and our characters play and revel in the cynical absurdity of this mad human endeavour that simultaneously thrills and depresses us.

In a quaint Scottish village in the Highlands, contenders from around the globe gather to compete for the title of World Porridge Champion armed only with oats, salt and water. As the ailing Porridge Chieftain's tenure ends, he embarks on a mission to find a successor. Amidst intense rivalries and the charm of eccentric locals, this documentary delves into the legacy of the village and unveils a captivating culinary spectacle.

In a quaint Scottish village in the Highlands, contenders from around the globe gather to compete for the title of World Porridge Champion armed only with oats, salt and water. As the ailing Porridge Chieftain's tenure ends, he embarks on a mission to find a successor. Amidst intense rivalries and the charm of eccentric locals, this documentary delves into the legacy of the village and unveils a captivating culinary spectacle.

Director Constantine Costi helms Verdi’s tragic masterpiece against the stunning backdrop of Sydney Harbour, starring Stacey Alleaume as the doomed courtesan Violetta alongside dashing tenor Rame Lahaj as Alfredo. Brian Thomson’s vibrant set design features a showstopping Swarovski crystal chandelier suspended over a vast stage, perfectly evoking a whirlwind world of glamorous Parisian parties. Australian-Mauritian soprano Stacey Alleaume delivers a magnetic performance as Violetta, sharing an intense chemistry with Kosovo-born tenor Rame Lahaj as her passionate lover, Alfredo. Conductor Brian Castles-Onion expertly guides the orchestra through the effervescent drinking song ‘Brindisi’ and the soaring emotional heights of ‘Sempre Libera’, making this a truly unforgettable evening under the stars.

Our hero begins her journey through an unsettling and painterly world. She drives down a highway, arrives at an abandoned house, travels through a seemingly endless corridor of broken-hearted lovers, praises love out of a window, and finds furtive romance in a garden. Familiar domestic spaces are rendered uncanny as she muses on love and its power to intoxicate the world around us. This moody vision is torn apart and laid bare. A frenzied film set is deconstructed and our characters play and revel in the cynical absurdity of this mad human endeavour that simultaneously thrills and depresses us.

Our hero begins her journey through an unsettling and painterly world. She drives down a highway, arrives at an abandoned house, travels through a seemingly endless corridor of broken-hearted lovers, praises love out of a window, and finds furtive romance in a garden. Familiar domestic spaces are rendered uncanny as she muses on love and its power to intoxicate the world around us. This moody vision is torn apart and laid bare. A frenzied film set is deconstructed and our characters play and revel in the cynical absurdity of this mad human endeavour that simultaneously thrills and depresses us.