Leung Hei-man

Child finds her peace of mind in drawing but that does not please her mother at all. At school she is bullied by her Visual Arts classmates, while the teacher regards her works as ‘not up to standard’. One day comes a substitute teacher who introduces the different possibilities of art to Child and that there is no right or wrong when it comes to painting assignments. There has never been anyone in her life that brings her such inspiration. Holding her charcoal stick in hand, Child finally knows whose portrait she should draw.

Divorced café owner Kayan lives with her daughter Tung. Her life is renewed after meeting her lesbian partner Shuting who becomes part of the loving family. When Kayan dies in a tragic car accident, the grieving Shuting wants to continue taking care of Tung but encounters strong opposition from Kayan’s mother. At Kayan’s funeral, due to social norms and taboos, Shuting is completely side-lined and stripped of the privilege to bid farewell to the love of her life. She faces yet another dilemma, having to make the decision to do what is best for Tung.

Divorced café owner Kayan lives with her daughter Tung. Her life is renewed after meeting her lesbian partner Shuting who becomes part of the loving family. When Kayan dies in a tragic car accident, the grieving Shuting wants to continue taking care of Tung but encounters strong opposition from Kayan’s mother. At Kayan’s funeral, due to social norms and taboos, Shuting is completely side-lined and stripped of the privilege to bid farewell to the love of her life. She faces yet another dilemma, having to make the decision to do what is best for Tung.