
Directing
Maia Navas
Place of birth
Corrientes, Argentina
Known for
Directing
Credits
11 titles
Known for
6.7Las Indomables await with anxiety the start of a neighborhood women's soccer tournament. During the wait all kinds of events happen, love, conflicts, politics and even a rain, stalk the passion for which they are there: Play football at all costs
Today Match at 3
2017
NRThe project was developed in collaboration with scientists from CONICET and the National University of the Northeast, who have been conducting research in the area for over four decades. Together with them, we delved into the thresholds of other geological eras, exploring interspecies coexistence and dialogues.
Inventario de invisibles
2026
NRShort by Maia Navas
Procedimientos
2015
6.0Short by Maia Navas
La patria de todos los tarros de colores
2013
NRThe invisibility of women's imaginary lives with creative spaces that allow elucidating new ways . The question: what is a woman?It´s answered with a chorus of voices and doings related to bread that is built , materializes and collapses. A cycle that reinvents itself.
Era de pan
2013
8.0Three films reflecting upon the way in which image and speech control relate to one another. Dallas is a Fire exposes the racist speech in the archives of the Dallas TV in 1970. Sent to Lie investigates the surveillance methods applied to the Qom indigenous community with the argument of preventing COVID-19. In Non-Stop, there’s an attempt to build over history and beyond the inaccessible images
Sent to Lie
2021
Film credits
Behind the camera
NRThe project was developed in collaboration with scientists from CONICET and the National University of the Northeast, who have been conducting research in the area for over four decades. Together with them, we delved into the thresholds of other geological eras, exploring interspecies coexistence and dialogues.
Inventario de invisibles
2026
NRShort by Maia Navas
Procedimientos
2015
NRShort by Maia Navas
Procedimientos
2015
6.0Short by Maia Navas
La patria de todos los tarros de colores
2013
NRThe invisibility of women's imaginary lives with creative spaces that allow elucidating new ways . The question: what is a woman?It´s answered with a chorus of voices and doings related to bread that is built , materializes and collapses. A cycle that reinvents itself.
Era de pan
2013
8.0Three films reflecting upon the way in which image and speech control relate to one another. Dallas is a Fire exposes the racist speech in the archives of the Dallas TV in 1970. Sent to Lie investigates the surveillance methods applied to the Qom indigenous community with the argument of preventing COVID-19. In Non-Stop, there’s an attempt to build over history and beyond the inaccessible images
Sent to Lie
2021
8.0Three films reflecting upon the way in which image and speech control relate to one another. Dallas is a Fire exposes the racist speech in the archives of the Dallas TV in 1970. Sent to Lie investigates the surveillance methods applied to the Qom indigenous community with the argument of preventing COVID-19. In Non-Stop, there’s an attempt to build over history and beyond the inaccessible images
Sent to Lie
2021
NRNo synopsis available yet.
Luminous Shores
2023
NRDocumentary that covers, as a diary-album, everyday scenes recorded between 2018 and 2024 around my house, in a peripheral neighborhood of Corrientes in the northeast of Argentina. In the passage from day to night, gestures and melodies unfold that collapse the imposed ways of living and transform into joyful resistance to the advance of the extreme right. We are broken and so are our images. We are a handful of pixels that dance in the darkness, to the rhythm of the power of the banal.
Las formas de la invención
2024
NRDocumentary that covers, as a diary-album, everyday scenes recorded between 2018 and 2024 around my house, in a peripheral neighborhood of Corrientes in the northeast of Argentina. In the passage from day to night, gestures and melodies unfold that collapse the imposed ways of living and transform into joyful resistance to the advance of the extreme right. We are broken and so are our images. We are a handful of pixels that dance in the darkness, to the rhythm of the power of the banal.
Las formas de la invención
2024
