Aakash Chhabra

No synopsis available yet.

When Raag returns to his hometown after a long absence, he attempts to rekindle his friendship with his ailing grandfather, by dressing him up in the clothes he was wearing on the day they last met.

An interlude of silence, longing and separation between a mother and a son.

Kismateen, a 24-year-old brass band player in Old Delhi, tries to find his smile back with dental implants after being forcefully separated from the love of his life and losing his front teeth in a physical altercation.

In the cast-off town of Panipat in North India, the history of fabric is fused with that of its migrants. With everyday images from in and around the harrowing industrial wasteland on a single winter day, the film essay ruminates on the memory of clothes and the desires of women who work all day in the ultraviolet lights longing for sunshine.

A young man struggles to keep his grandmother from losing her memories and realises that time is a lie.

No synopsis available yet.

When Raag returns to his hometown after a long absence, he attempts to rekindle his friendship with his ailing grandfather, by dressing him up in the clothes he was wearing on the day they last met.

When Raag returns to his hometown after a long absence, he attempts to rekindle his friendship with his ailing grandfather, by dressing him up in the clothes he was wearing on the day they last met.

An interlude of silence, longing and separation between a mother and a son.

Kismateen, a 24-year-old brass band player in Old Delhi, tries to find his smile back with dental implants after being forcefully separated from the love of his life and losing his front teeth in a physical altercation.

Kismateen, a 24-year-old brass band player in Old Delhi, tries to find his smile back with dental implants after being forcefully separated from the love of his life and losing his front teeth in a physical altercation.

In the cast-off town of Panipat in North India, the history of fabric is fused with that of its migrants. With everyday images from in and around the harrowing industrial wasteland on a single winter day, the film essay ruminates on the memory of clothes and the desires of women who work all day in the ultraviolet lights longing for sunshine.

A young man struggles to keep his grandmother from losing her memories and realises that time is a lie.