Yeung Leung Chuen

A dining mishap caused a rift between Ji and Rui, leading to a cycle of revenge. Their already troubled lives only came together to fall apart.

Room 12 is a place where people leave their final wills. A boy arrives at Room 12 and meets the owner of the place. They have a strange encounter and each of them understand more about what the other is thinking about.

The chaos began at the Winter Solstice dinner eight years ago. The father lost his temper, the son, not able to forgive his father, ran away from home. Eight years have passed, and the family's relationship is still cold and distant. A cousin returns to Hong Kong from England and hopes to gather everyone for a Winter Solstice dinner. The long-awaited gathering prompted everyone to rethink their relationships with family members. Some choose to leave, some are back. When things are about to fall apart, it might as well be an opportunity to mend connections.

Fei roams the city at night, attempting to capture it with her camera. One night she meets a mysterious cow in the busy city and photographs it. Soon she meets Ming, who is trying to record the cow's noise. Together they attempt to find the elusive cow.

From the vast expanse of land and sky comes a wild child with a camel into the city. They encounter a policeman who is fascinated by this mysterious child seemingly isolated from human contact and culture. The policeman tries to establish communication through language without success. As he learns more about the child, the latter inspires him to let go and find his long-lost freedom. Conventional interactions between people mask our true instincts and qualities that only emanate when we return to the basics.

Liu Yang He, a landmark in Hunan province, is not only the film’s original title but also a well-known Communist folk song in China. It was written during the Agrarian Reform that precedes the Cultural Revolution. Youngsters were sent to farmlands and factories to experience intense labour. They sang to praise Chairman Mao. Kah-kah (Rain Lau) was permanently injured in an industrial accident during that time. When Kah-kah meets this amputated client (Ko Hon-man), they feel sympathy with each other and turn this sympathy into a possibility of love as if they were flowing into a river of no return. Here, Rain Lau’s sophisticated performance resembles her award-winning role in Queen of Temple Street (1990).

A dining mishap caused a rift between Ji and Rui, leading to a cycle of revenge. Their already troubled lives only came together to fall apart.

A dining mishap caused a rift between Ji and Rui, leading to a cycle of revenge. Their already troubled lives only came together to fall apart.

Room 12 is a place where people leave their final wills. A boy arrives at Room 12 and meets the owner of the place. They have a strange encounter and each of them understand more about what the other is thinking about.

The chaos began at the Winter Solstice dinner eight years ago. The father lost his temper, the son, not able to forgive his father, ran away from home. Eight years have passed, and the family's relationship is still cold and distant. A cousin returns to Hong Kong from England and hopes to gather everyone for a Winter Solstice dinner. The long-awaited gathering prompted everyone to rethink their relationships with family members. Some choose to leave, some are back. When things are about to fall apart, it might as well be an opportunity to mend connections.

Fei roams the city at night, attempting to capture it with her camera. One night she meets a mysterious cow in the busy city and photographs it. Soon she meets Ming, who is trying to record the cow's noise. Together they attempt to find the elusive cow.

From the vast expanse of land and sky comes a wild child with a camel into the city. They encounter a policeman who is fascinated by this mysterious child seemingly isolated from human contact and culture. The policeman tries to establish communication through language without success. As he learns more about the child, the latter inspires him to let go and find his long-lost freedom. Conventional interactions between people mask our true instincts and qualities that only emanate when we return to the basics.

Liu Yang He, a landmark in Hunan province, is not only the film’s original title but also a well-known Communist folk song in China. It was written during the Agrarian Reform that precedes the Cultural Revolution. Youngsters were sent to farmlands and factories to experience intense labour. They sang to praise Chairman Mao. Kah-kah (Rain Lau) was permanently injured in an industrial accident during that time. When Kah-kah meets this amputated client (Ko Hon-man), they feel sympathy with each other and turn this sympathy into a possibility of love as if they were flowing into a river of no return. Here, Rain Lau’s sophisticated performance resembles her award-winning role in Queen of Temple Street (1990).

During Lunar New Year, a family gathers to eat; but nobody is eating. Grandma looks towards the empty chair, nobody dares to start the meal. The room stays silent as the hot pot bubbles. Everyone gets hungrier and hungrier. The Son has had enough, and breaks the silence. He tells the story of the Argali Goat.

A time and space that get mixed up, A brother and a sister, One who loves starting fire, Whereas the other loves extinguishing it, An unusual relationship.

Lai-sing, full of aspirations as a journalist, lives in Hong Kong with his sister Kei-mei. Their parents live in Hainan since retirement while Uncle Guoyou lives in Shenzhen. The family is separated until the third anniversary of the death of Lai-sing's grandmother. According to tradition, a monument has to be erected on this occasion, which brings the family members to meet up. The reunion slowly unveils the indiscernible distances and intimacies built over time. It is only through understanding and acceptance that they would cast aside their differences and show genuine care for each other.

Lai-sing, full of aspirations as a journalist, lives in Hong Kong with his sister Kei-mei. Their parents live in Hainan since retirement while Uncle Guoyou lives in Shenzhen. The family is separated until the third anniversary of the death of Lai-sing's grandmother. According to tradition, a monument has to be erected on this occasion, which brings the family members to meet up. The reunion slowly unveils the indiscernible distances and intimacies built over time. It is only through understanding and acceptance that they would cast aside their differences and show genuine care for each other.