Matias Ferreyra

Argentina, 2001. In the midst of the economic crisis, Manuel and his family have to move to his grandmother's house. Caught in a strange war over the occupation of spaces, Manuel finds, in his grandmother, a particular way of resisting.

A blank set. A woman holds a sign with a question while a hooded character resists to answer it. This question turns into other questions. A family stages for a family portrait surrounding the father figure. Venus stares at her reflection in the looking glass, asks for herself. An omnipresent voice demands answers, the answer is a shout.

Argentina, 2001. In the midst of the economic crisis, Manuel and his family have to move to his grandmother's house. Caught in a strange war over the occupation of spaces, Manuel finds, in his grandmother, a particular way of resisting.

Argentina, 2001. In the midst of the economic crisis, Manuel and his family have to move to his grandmother's house. Caught in a strange war over the occupation of spaces, Manuel finds, in his grandmother, a particular way of resisting.

A blank set. A woman holds a sign with a question while a hooded character resists to answer it. This question turns into other questions. A family stages for a family portrait surrounding the father figure. Venus stares at her reflection in the looking glass, asks for herself. An omnipresent voice demands answers, the answer is a shout.