Fatima Al-Safi

Cairo Class (Dofa'at Al Qahera) is a 2019 Kuwaiti-Egyptian period drama set in 1950s Egypt. A group of Kuwaiti students — mostly women — travel to Cairo to enrol at Cairo University, embarking on a transformative era of art, open-minded ideas, political currents, and extraordinary love stories. The series follows their individual journeys as they navigate romance, ambition, friendship, and self-discovery against the backdrop of a vibrant and culturally rich Cairo.

Beirut, 1964. A cohort of students from across the Arab world converge at the American University of Beirut — each carrying different backgrounds, ideologies, ambitions and private longings. Friendships form, loves blossom and political passions collide against the backdrop of a Lebanon on the cusp of dramatic change. A richly atmospheric period drama praised for its emotional depth and immersive portrayal of Arab student life in one of the most vibrant eras of Beirut's history. Stars Mahmoud Nasr and Natasha Choufani.

In 1970s Kuwait, the blind but fearless Wedad stitches by day and sings behind the veil by night. When tragedy strikes her sister, survival becomes a quest for justice. Huda Hussain leads in a transformative role.

Fatima a mother of seven children, loses her memory at 1983, for thirty years, when she regains her memory she finds out that she don't know her children's whereabouts she sets out to find them with all her power willing to be reunited with them once again and this time forever.

Married to Rasheed with whom she runs a school, Hela thinks she has the perfect husband. Only because she doesn’t know his secret…

The events of the series revolve in a comic framework about (Moza) and (Thnayan), the heads of a family, which includes 5 children, who together try to constantly reunite the family through the weekly meeting of the grandparents with their children and grandchildren in (Zuwara), shedding light on the problems that afflict family relations, which It can cause disconnection or strife if not handled wisely.

Cairo Class (Dofa'at Al Qahera) is a 2019 Kuwaiti-Egyptian period drama set in 1950s Egypt. A group of Kuwaiti students — mostly women — travel to Cairo to enrol at Cairo University, embarking on a transformative era of art, open-minded ideas, political currents, and extraordinary love stories. The series follows their individual journeys as they navigate romance, ambition, friendship, and self-discovery against the backdrop of a vibrant and culturally rich Cairo.

Beirut, 1964. A cohort of students from across the Arab world converge at the American University of Beirut — each carrying different backgrounds, ideologies, ambitions and private longings. Friendships form, loves blossom and political passions collide against the backdrop of a Lebanon on the cusp of dramatic change. A richly atmospheric period drama praised for its emotional depth and immersive portrayal of Arab student life in one of the most vibrant eras of Beirut's history. Stars Mahmoud Nasr and Natasha Choufani.

In 1970s Kuwait, the blind but fearless Wedad stitches by day and sings behind the veil by night. When tragedy strikes her sister, survival becomes a quest for justice. Huda Hussain leads in a transformative role.

Fatima a mother of seven children, loses her memory at 1983, for thirty years, when she regains her memory she finds out that she don't know her children's whereabouts she sets out to find them with all her power willing to be reunited with them once again and this time forever.

Married to Rasheed with whom she runs a school, Hela thinks she has the perfect husband. Only because she doesn’t know his secret…

The events of the series revolve in a comic framework about (Moza) and (Thnayan), the heads of a family, which includes 5 children, who together try to constantly reunite the family through the weekly meeting of the grandparents with their children and grandchildren in (Zuwara), shedding light on the problems that afflict family relations, which It can cause disconnection or strife if not handled wisely.

A Kuwaiti mother has six daughters and one son struggling with her daughters after leaving her husband's house to start a new life.

Inspired by true events, the world hidden behind a prison’s walls is revealed through the life stories of three unique women.

Two families, the wealthy Sheikha's family living in luxury and extravagance, and the poor Umm Rakan family with a low standard of living, both migrated from Kuwait to Dubai following the Iraqi invasion of Kuwait in 1990 and lived in a place One until the invasion ended, then they returned to Kuwait and the children of both families became young adults, and Rakan fell in love with Basma.

Set in the 1940s, the series chronicles the life of Umm Harun, a doctor residing amongst the townspeople in Kuwait and faces numerous challenges, she and her family as well as the Jewish community at large.

When a thief steals Omaima's car, he finds her child inside and he takes her with him. Omaima's life begins to collapse, as she believes that she has lost her daughter, which makes her devotes her life to supporting the orphans' rights in various care homes.

Silver is a fifty-year-old woman, but her mind stopped at ten years and influenced her in terms of behavior and thinking, she is kind and affectionate, dealing with others with pure intention. But she has many experiences with her family and those around her, where many treat her with opportunistic.

Kan Fi Kull Zaman is a Kuwaiti anthology drama written by Heba Meshari Hamada and led by the iconic Souad Abdullah, who portrays over ten different characters throughout the series. Breaking away from the traditional 30-episode format, the series presents a collection of standalone stories — each spanning two to four episodes — blending social, political, comedic, and heritage themes drawn from Arab life, delivered in a tone that shifts between light comedy and quiet tragedy.

The events of the series revolve around “Abu Ibrahim” (Saad Al-Faraj), whose house burns and loses all his family, after which he lives a stage of schizophrenia and a painful and poignant life because of his feeling of guilt for what happened.

Under one roof, a family consisting of a father, a mother, their children, and their daughters-in-law live together. As their relationships become increasingly complicated, the siblings compete and conflicts arise, gradually exposing their hidden secrets.

After the death of a loved one, a woman decides to pursue her passion for writing by penning television scripts.

Ghanima suffers from complex health conditions that require her to be treated in a special way.

The series revolves around the father “Adam” and his seven daughters, who raised them alone after his wife “Karima” left him because she wanted to marry a rich person, so he struggled to raise them alone with his extreme poverty.

When romance is mixed with social issues and problems, it will inevitably express a real reality about love relationships, marriage, divorce, various social and family issues, and the traditions and customs of the surrounding society.

A romantic frame, written by Heba Al-Mashari Hamada and directed by Muhammad Al-Qaffas.

The series discusses the issue of love, and whether love can fix all our mistakes and change our destinies, and love here is not limited to love between men and women, but love in its comprehensive and complete sense, such as the love of parents and love of the homeland, the series also sheds light on many issues that affect the Gulf society in general and the Kuwaiti society in particular.

The series talks about a family consisting of a father, a mother, and their children, and the daily life problems and comic paradoxes they face.

Hind, a nurse, lives a happy and calm life both professionally and family-wise. But things turn when the lawyer Ekhlas knocks on her door.

In this dramedy, eight women in their forties tackle life together, navigating its challenges and experiences, ranging from marriage and divorce, to motherhood, family, infidelity, money and much more…

A driven artist travels to Beirut with her husband, but her life turns into a nightmare when she wakes up ten years later amnesiac and in a mental institution.

No synopsis available yet.

The series revolves around the social situations that women go through before and after marriage, by highlighting the stories of four women who live in one house, where they share memories and situations that they went through, especially the painful and harsh memories that they went through after their marriage.

It deals with the love story of a party designer who falls in love with one of her classmates at the university, but fate prevents their connection... The events follow in more than one dramatic line, dealing with issues of youth, human relations, and love. The current and previous times, as for Taif, she said about her role, “I embody the role of Umm Ahmed, who is kind-hearted and “walks” on the intention … and Aseel Omran, my niece, I love her very much, and I will be shocked by her because of her evils, and her impure intention, even though I wished her to be a wife to my son, with He loves another girl, and that's where problems happen.' The series is complete with action.

No synopsis available yet.

Four friends from different cultural backgrounds come together in one school. Their friendship continues despite all the differences that should make them apart.

A girl who looks funny, lives with her mother and she is from a wealthy family, but the girl lives an isolated life until she grows up and is far from any serious social experience, which makes her face many challenges after the death of her mother, especially by her greedy sisters, but they were not aware that the funny appearance hides behind it a terrible intelligence that can turn the world upside down.

No synopsis available yet.

No synopsis available yet.

In a dramatic comedy framework, the work tells about Shaheen and his daily dealings with people in Kuwaiti society through the relationships of love, greed and deception that happened to him and those around him.

A group of Gulf youth studying in (Europe), between which a friendship begins by virtue of alienation, and this relationship lasts for a long time, until one of them is subjected to an attempt to exploit some gangs, and events continue that reveal the fact that Western societies deal with expatriate youth, especially the Gulf, because of false beliefs that the Gulf society is rich and rich, and its youth did not attend to learn, but came for entertainment and fun only, and events continue.