Karen Luong

Sketch of drowsiness. Continuously.

CIEL DÉGAGÉ 3/10ÈME is a found-footage film based on the idea of blinding in the moving image. This film is composed of photographic flashes from filmic works and refers to the idea of projection, both in the cinematographic sense as well as in its most devastating form: the nuclear bomb.

Fragments of vinyl records, microgrooves, cinematographic wefts which, through editing and sampling, tend to reject any storytelling, to become exclusively language of avoidance and reappropriation.

Images without worlds, without edges. Floating landscapes, absorbed stares. We perceive the rustle of optical sounds: a white noise that blurs the other sounds. The spectator, numb, falls into an elsewhere at the gates of sleep.

Sketch of drowsiness. Continuously.

CIEL DÉGAGÉ 3/10ÈME is a found-footage film based on the idea of blinding in the moving image. This film is composed of photographic flashes from filmic works and refers to the idea of projection, both in the cinematographic sense as well as in its most devastating form: the nuclear bomb.

Fragments of vinyl records, microgrooves, cinematographic wefts which, through editing and sampling, tend to reject any storytelling, to become exclusively language of avoidance and reappropriation.

Images without worlds, without edges. Floating landscapes, absorbed stares. We perceive the rustle of optical sounds: a white noise that blurs the other sounds. The spectator, numb, falls into an elsewhere at the gates of sleep.