Mi-Mi Lee

Chih-Ting and Chia-Lin, two students in Pingtung Girls’ Senior High School, are bosom friends. Their close friendship attracts jealousy from other classmates; thus rumors about them being lesbians spread. When this groundless rumor victimizes Chih-Ting and costs her best friend, it becomes too much to bear. In the 70s, the Taiwanese mainstream society regarded homosexuality as a negative variation of sexuality and imputed the cause of homosexuality to growing up in an unhealthy environment. However, the two protagonists’ friendship remains the heart of the story. Their unspoken emotional undercurrents are left for the audience to infer.

Hsiao-Peng, an unmarried mother is sent to a maternity home for young single mothers. During her time in the maternity home, she slowly overcomes the depressive thoughts and builds strong bonds with Wen-Yueh, Ko-Hsin, and Madam Pai. After moving out the maternity home, Hsiao-Peng lives with Wen-Yueh and Ko-Hsin in an apartment where they continue to be each other’s support. The two main settings of the film, the maternity home and the apartment, build an atypical family model. It is a tender coming-of-age tale where women are empowered with the right to think for themselves.

Shih-Yen is upset about Ko-Ching prioritizing her career over their marriage and even getting an abortion without his knowledge. To express discontent, Shih-Yen moves in with his mistress. Despite feeling overwhelmed by her messy personal life, Ko-Ching manages to lead her company and delivers a successful fashion show. The film reflects on career women’s struggles between family and work, it also describes the gender role stereotypes in a marriage. Although the film demonstrates clearly women’s difficult role in society, it still chooses to show the possibility of women being independent, capable and charming to refute the status quo of patriarchy.

Taiwanese movie

Chih-Ting and Chia-Lin, two students in Pingtung Girls’ Senior High School, are bosom friends. Their close friendship attracts jealousy from other classmates; thus rumors about them being lesbians spread. When this groundless rumor victimizes Chih-Ting and costs her best friend, it becomes too much to bear. In the 70s, the Taiwanese mainstream society regarded homosexuality as a negative variation of sexuality and imputed the cause of homosexuality to growing up in an unhealthy environment. However, the two protagonists’ friendship remains the heart of the story. Their unspoken emotional undercurrents are left for the audience to infer.

Hsiao-Peng, an unmarried mother is sent to a maternity home for young single mothers. During her time in the maternity home, she slowly overcomes the depressive thoughts and builds strong bonds with Wen-Yueh, Ko-Hsin, and Madam Pai. After moving out the maternity home, Hsiao-Peng lives with Wen-Yueh and Ko-Hsin in an apartment where they continue to be each other’s support. The two main settings of the film, the maternity home and the apartment, build an atypical family model. It is a tender coming-of-age tale where women are empowered with the right to think for themselves.

Shih-Yen is upset about Ko-Ching prioritizing her career over their marriage and even getting an abortion without his knowledge. To express discontent, Shih-Yen moves in with his mistress. Despite feeling overwhelmed by her messy personal life, Ko-Ching manages to lead her company and delivers a successful fashion show. The film reflects on career women’s struggles between family and work, it also describes the gender role stereotypes in a marriage. Although the film demonstrates clearly women’s difficult role in society, it still chooses to show the possibility of women being independent, capable and charming to refute the status quo of patriarchy.

Taiwanese movie