Tony Reis

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

A throuple of queer elderly men deals with the proximity of death — Zito, who has been diagnosed with dementia, and his two lovers, Morpheus and Charon. As the illness progresses, the boundaries between dream and reality blur: Zito imagines his last days as if his whole life was a Brazilian samba musical extravaganza, while his partners in life take care of him until their last farewell.

No synopsis available yet.