George Hulshof

Scientific methods of verifying works of art have drastically reduced the number of paintings attributed to Rembrandt (1606-1669). Many canvases, hitherto believed to be by the hand of the Master, are now thought to be the work of artists who learnt their craft in his studio by copying his style. The film is a fascinating study of modern scientific techniques, a comprehensive art historical view of Rembrandt’s work over the centuries and a reaffirmation of his genius.

Scientific methods of verifying works of art have drastically reduced the number of paintings attributed to Rembrandt (1606-1669). Many canvases, hitherto believed to be by the hand of the Master, are now thought to be the work of artists who learnt their craft in his studio by copying his style. The film is a fascinating study of modern scientific techniques, a comprehensive art historical view of Rembrandt’s work over the centuries and a reaffirmation of his genius.