
Directing
Bela Bračko Milešević
Known for
Directing
Credits
6 titles
Bela Bračko-Milešević was born in Varaždin in 1995. She holds a BA in Cultural Studies from the Faculty of Humanities and Social Sciences in Rijeka and an MA in Documentary Film Directing from the Academy of Dramatic Arts in Zagreb. She is the author of the films I Still Don’t Know (2020), All the Things’ll Never Tell You (2021) and God on Wheels (2021), which were screened at regional and international festivals such as Kasseler Dokfest, Zagreb Dox and Liburnia Film Festival. In addition to her work as a director, she works as a film, researcher, editor and conducts film education throughout Croatia
Known for
The ghost of Eugene Shoemaker wanders across the surface of the Moon, contemplating its vastness and the silence that surrounds him. That all changes when his tranquility is broken by a mysterious sound of quiet cracking.
Lunar
—
NRThis film is about an attempt to reconcile with our home. Or with what used to be our home a long time ago. Or, at least, what our family thinks is our home. Or what we no longer see as our own home. Or, perhaps, is this a film about accepting the realization that we are happier somewhere else?
I Still Don't Know
2020
NRThe house, the parents, the ravaged city streets and the stream of thoughts. This is the first self-isolation that is not self-initiated. Only one apocalypse was mandatory to bring us closer.
God on Wheels
2021
Film credits
Behind the camera
The ghost of Eugene Shoemaker wanders across the surface of the Moon, contemplating its vastness and the silence that surrounds him. That all changes when his tranquility is broken by a mysterious sound of quiet cracking.
Lunar
—
The ghost of Eugene Shoemaker wanders across the surface of the Moon, contemplating its vastness and the silence that surrounds him. That all changes when his tranquility is broken by a mysterious sound of quiet cracking.
Lunar
—
NRThis film is about an attempt to reconcile with our home. Or with what used to be our home a long time ago. Or, at least, what our family thinks is our home. Or what we no longer see as our own home. Or, perhaps, is this a film about accepting the realization that we are happier somewhere else?
I Still Don't Know
2020
NRThe house, the parents, the ravaged city streets and the stream of thoughts. This is the first self-isolation that is not self-initiated. Only one apocalypse was mandatory to bring us closer.
God on Wheels
2021
NRThe house, the parents, the ravaged city streets and the stream of thoughts. This is the first self-isolation that is not self-initiated. Only one apocalypse was mandatory to bring us closer.
God on Wheels
2021
