Camilo de Cabo

Lysergic experimental-violent film directed by V.Lynch and starring Víctor "Dinamita" Melman

Lucas and a group of friends decide to make a Sci-Fi movie without knowing that they live in a world where that is forbidden. They become the only hope of rebellion, the only hope to bring down a decaying empire and generate a new revolution that awakens the sleeping people.

In a city crowded with zombies, a sexual deviant is recognized as the most important hunter of the undead. Hired by the Catholic Church to kill zombies, Toro uses his earnings to fulfill his sexual desires in this extreme zombie film from the underground.

John has a big heart, a pig heart and that is why he gets involved, under the advice of an African-American drug dealer, in the world of illegal kickboxing fights, to avenge the death of his brother.

To escape the leader of a satanic metal band and the father of her unborn child, Lucia moves to a remote cabin with her grandmother. Though safe in her surroundings, she is haunted by his memory and knows he will stop at nothing to track her down.

With decades of experience, Carca is one of the most original and unique musicians in Argentina and the world. This is his story

With decades of experience, Carca is one of the most original and unique musicians in Argentina and the world. This is his story

With decades of experience, Carca is one of the most original and unique musicians in Argentina and the world. This is his story

Movie adaptation of Leonardo Oyola's novel, which tells the story of the legendary DC comics superhero, Superman, if he, instead of falling in Smallville from Krypton, would have landed in the heart of Isidro Casanova, in La Matanza, deep in the west side of Buenos Aires.

In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”

In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”

In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”