Rebecca Lamarche-Vadel

A journey into the complex world of today, full of hopes, desires, and fears for the present. The film invites us to follow a voice whose thoughts and doubts about the present become a meditation accompanied by works of art. The film features all the artworks exhibited at the second Riga Biennial of Contemporary Art (RIBOCA2). Reminiscent of a Tarkovskyan dystopia, the united ecosystem of living nature, a disused power plant, an abandoned paintball field, warehouses, flocks of birds, cruise ships and railway tracks, makes the film’s space its own metaphor for the collapse of Soviet ideals and capitalist hopes.

A journey into the complex world of today, full of hopes, desires, and fears for the present. The film invites us to follow a voice whose thoughts and doubts about the present become a meditation accompanied by works of art. The film features all the artworks exhibited at the second Riga Biennial of Contemporary Art (RIBOCA2). Reminiscent of a Tarkovskyan dystopia, the united ecosystem of living nature, a disused power plant, an abandoned paintball field, warehouses, flocks of birds, cruise ships and railway tracks, makes the film’s space its own metaphor for the collapse of Soviet ideals and capitalist hopes.

A journey into the complex world of today, full of hopes, desires, and fears for the present. The film invites us to follow a voice whose thoughts and doubts about the present become a meditation accompanied by works of art. The film features all the artworks exhibited at the second Riga Biennial of Contemporary Art (RIBOCA2). Reminiscent of a Tarkovskyan dystopia, the united ecosystem of living nature, a disused power plant, an abandoned paintball field, warehouses, flocks of birds, cruise ships and railway tracks, makes the film’s space its own metaphor for the collapse of Soviet ideals and capitalist hopes.