Gabrielle Dalton

The Australian maverick director George Gittoes travels to Terror Central in Pakistan, where he decides to shoot a local Pashto telie film (high on kitsch and machine guns) right under the nose of the Taliban’s anti-entertainment forces. He throws himself into the clash of fundamentalism and entertainment – virtual and real – in this off-beat docu-drama mix. Gittoes takes us on a surprising, terrifying journey, into the forbidden zones of Pakistan’s explosive North West Frontier. Is it a documentary or is this ‘war art’?

An insight into the women fighting against the violent dictatorship of Anastasio Somoza in Nicaragua and how poetry underlies and expresses their passion for change and freedom from tyranny.

The Australian maverick director George Gittoes travels to Terror Central in Pakistan, where he decides to shoot a local Pashto telie film (high on kitsch and machine guns) right under the nose of the Taliban’s anti-entertainment forces. He throws himself into the clash of fundamentalism and entertainment – virtual and real – in this off-beat docu-drama mix. Gittoes takes us on a surprising, terrifying journey, into the forbidden zones of Pakistan’s explosive North West Frontier. Is it a documentary or is this ‘war art’?

The Australian maverick director George Gittoes travels to Terror Central in Pakistan, where he decides to shoot a local Pashto telie film (high on kitsch and machine guns) right under the nose of the Taliban’s anti-entertainment forces. He throws himself into the clash of fundamentalism and entertainment – virtual and real – in this off-beat docu-drama mix. Gittoes takes us on a surprising, terrifying journey, into the forbidden zones of Pakistan’s explosive North West Frontier. Is it a documentary or is this ‘war art’?

An insight into the women fighting against the violent dictatorship of Anastasio Somoza in Nicaragua and how poetry underlies and expresses their passion for change and freedom from tyranny.