Mayar Hamdan

Set in a dystopian dollhouse, Jameela, a friendly little girl wants nothing more than to fit in with the other girls in the house.

"Don't Get Too Comfortable" is a heartfelt introspective letter to my deceased grandfather. The letter questions the continuous pattern of movement amongst Yemenis in diaspora. The film fuses archival photographs, sourced footage, parallax animation, abstract videos to create an audio visual body of work that calls attention to the collective feeling of statelessness and sense of being felt by Yemeni (or non-Yemeni) migrants.

Set in a dystopian dollhouse, Jameela, a friendly little girl wants nothing more than to fit in with the other girls in the house.

Set in a dystopian dollhouse, Jameela, a friendly little girl wants nothing more than to fit in with the other girls in the house.

"Don't Get Too Comfortable" is a heartfelt introspective letter to my deceased grandfather. The letter questions the continuous pattern of movement amongst Yemenis in diaspora. The film fuses archival photographs, sourced footage, parallax animation, abstract videos to create an audio visual body of work that calls attention to the collective feeling of statelessness and sense of being felt by Yemeni (or non-Yemeni) migrants.