Helga Kurth

No synopsis available yet.

One morning, the little mouse crawls out of its hole and decides to have a look around. He hops over hill and dale, marvels at grasses and flowers, overcomes holes and hills, experiences a thunderstorm and an adventurous trip on the water and finally returns tired to his hiding place at home. She proudly believes she has seen the whole wide world.

The very first images in the film set unprecedented standards in East German animated film: a Buñuelean eye that fills the entire screen, real-life sequences of fleeing animals and a sound collage running contrary to what is seen on the screen. This also extends to the protagonist of the film, a head on a foot without a body or arms who pads wearily through the depressing surroundings. Upon seeing various figures in the sky, he begins to copy their movements. To his surprise, he himself manages to grow wings and takes to the skies. But his attempt at flight ends in a sobering manner however, as it is revealed that flying creatures are just restricted in their range.

This short film is an animated interpretation of the Suite No. 4 by the music ensemble Bayon, which was founded in East Germany in 1971. Bayon’s music is a unique combination of Khmer pentatonic music with elements of classical, jazz and rock.

No synopsis available yet.

The very first images in the film set unprecedented standards in East German animated film: a Buñuelean eye that fills the entire screen, real-life sequences of fleeing animals and a sound collage running contrary to what is seen on the screen. This also extends to the protagonist of the film, a head on a foot without a body or arms who pads wearily through the depressing surroundings. Upon seeing various figures in the sky, he begins to copy their movements. To his surprise, he himself manages to grow wings and takes to the skies. But his attempt at flight ends in a sobering manner however, as it is revealed that flying creatures are just restricted in their range.

This short film is an animated interpretation of the Suite No. 4 by the music ensemble Bayon, which was founded in East Germany in 1971. Bayon’s music is a unique combination of Khmer pentatonic music with elements of classical, jazz and rock.