Known for
6.5Film lovers examine the cinematic moments that thrilled, perplexed, challenged and forever changed them in this collection of visual essays.
Voir
2021
5.8Philip, a man of tradition, must perform the role of "Second" for his only son.
The Second
2024
8.7Every Frame a Painting is dedicated to the analysis of film form.
Every Frame a Painting
2014
NRThis video essay, made by Tony Zhou and Taylor Ramos for FilmStruck in 2016, explores the musical motifs in 'Cléo from 5 to 7.'
The Music of Michel Legrand
2016
NRVideo essay by Tony Zhou and Taylor Ramos analyzing Michael Curtiz's methods and understated artistry in The Breaking Point.
Fluid Style: Michael Curtiz and The Breaking Point
2017
Film credits
2010s · 2 titles
NRThis video essay, made by Tony Zhou and Taylor Ramos for FilmStruck in 2016, explores the musical motifs in 'Cléo from 5 to 7.'
The Music of Michel Legrand
2016
NRVideo essay by Tony Zhou and Taylor Ramos analyzing Michael Curtiz's methods and understated artistry in The Breaking Point.
Fluid Style: Michael Curtiz and The Breaking Point
2017
Series credits
Behind the camera
5.8Philip, a man of tradition, must perform the role of "Second" for his only son.
The Second
2024
5.8Philip, a man of tradition, must perform the role of "Second" for his only son.
The Second
2024
NRThis video essay, made by Tony Zhou and Taylor Ramos for FilmStruck in 2016, explores the musical motifs in 'Cléo from 5 to 7.'
The Music of Michel Legrand
2016
NRThis video essay, made by Tony Zhou and Taylor Ramos for FilmStruck in 2016, explores the musical motifs in 'Cléo from 5 to 7.'
The Music of Michel Legrand
2016
NRVideo essay by Tony Zhou and Taylor Ramos analyzing Michael Curtiz's methods and understated artistry in The Breaking Point.
Fluid Style: Michael Curtiz and The Breaking Point
2017
