Gerd Knebel

No synopsis available yet.

Andi has had an inferiority complex since childhood and not only has to deal with it, but also with girls, feelings and genitalia in different sizes.

No synopsis available yet.

No synopsis available yet.

The plot concerns a yeti who makes a pact with the devil to kidnap the most beautiful girl in the world. This turns out to be the Princess Lissi, who is clearly the Austrian Princess and later Empress Elisabeth of Bavaria, and much of the film is taken up with subplots related to the court and to the romantic relationship between Elisabeth and her husband. The film is thus a comic parody of the Sissi films.

One Saturday, the Slurb, a strange little creature with a proboscis nose, enters Mr. Taschenbier's life. Slurb, who immediately adopts the shy Mr. Taschenbier as his "daddy," is, however, his sheer opposite: he is cheeky and chaotic and throws his well-ordered life into sheer chaos. But when Taschenbier discovers that he can fulfill all his wishes with the help of Slurb's blue freckles, his life suddenly changes. He appeases his bad-tempered landlady, Mrs. Rotkohl, and he can finally get one over on his nasty neighbor, Mr. Lürcher. Everything could be so nice if Mr. Taschenbier didn't fall in love with his pretty colleague Mrs. März and if the Slurb didn't almost burst with jealousy...

After his mother’s death, the 12-year-old Max, son of pharmacist Sternheim, wishes for a pet. One day a dog appears in Max’s life. By his power of persuasion he is allowed to keep this dog and names him “Bello”. In the meantime a new tenant, Verena Lichtblau, moves into Sternheim’s house, and Max is not happy. But further Sternheim has got a present, that’s a special mixture. After he has ruined Edgar’s harvest with the mixture, the next accident happened: Bello drinks from the mixture, and so he transforms to a human. With Max’s help, “Mr. Bello” continues a human-life. And Mr. Bello returns Max’s enjoying of life again. But outside of Sternheim’s house Mr. Bello gets in trouble, and there the story begins.

The little asshole's grandfather, the old bag, has fallen into the coffin at a funeral and been buried alive. It's no surprise that instead of going to heaven, the old sack goes straight to hell. The little asshole and his dog Peppi, whom he inherited from Mrs. Mövenpick, try everything in their power to snatch the old bag from the clutches of the devil and do not shy away from dubious cloning techniques and black magic.

Flo und sein Kumpel Hotte arbeiten in der mies gehenden Neuköllner Videothek Video König. Kein Wunder, denn Hotte glänzt mit null Filmwissen, und Flo muss mit damit fertig werden, von seiner Freundin verlassen worden zu sein. Die beiden Unglücksvögel lassen sich vom Kiez-Gauner Bernhardt abzocken, von Schlägern die Fresse polieren und Inkasso-Unternehmen drangsalieren. Ein Glück, dass für Flo wenigstens wieder die Liebe in Form von Nachbarin Ramona lacht, auch wenn diese möglicherweise eine Prostituierte ist.

In the distant horror future, Germany groans under the yoke of the brutal dictator Rado. He likes to systematically dumb down the population and, almost more seriously, outlaw pop songs and drive all pop singers underground. In this time of darkness, the beautiful maiden Lea sets off in search of the fairytale baby with the golden tooth, who, according to legend, is the only one who can put the oppressor in his place. She is supported in her quest by pop revolutionary Toni Valloni.

An animation short by Johannes Weiland.

No synopsis available yet.

No synopsis available yet.

The film mainly consists of various, often grotesque episodes. There is also a frame story from which the episodes are derived. However, the connection between the frame story and the episodes is very weak. Many episodes revolve around surveillance and security. In the frame story, insurance agent Erich and Richard are stuck together in an elevator that is unusually large for an apartment building (about 3x3 meters). While Erich wants to get out as quickly as possible, Richard isn't actually in any hurry, as he seems to live in the elevator.

No synopsis available yet.

An advertising copywriter who has been left by his lover is struggling to come to terms with his “single” existence, falls into self-pity, lets himself go both personally and professionally and tries to win his lover back.

Two inmates make written contact through a personal ad that is hidden and found in a pair of work trousers. The pen-pal relationship turns into love, whose future remains uncertain after a personal encounter.