Noelia Sinkunas

During the 2020 lockdown, Lucrecia Martel returns to her home in Salta, Argentina’s most conservative region. Here she follows Julieta Laso who, like a muse, introduces her to a group of female artists and defiant people who exchange glances and opinions around a fire.

A group of artists carry out a creative residency at a recording studio located in the middle of the mountains of Córdoba. As a result of the collaborative and exploratory work, they achieve some musical material that expands the borders of musical genres.

Historically, tango has been associated with machismo, but in recent years, feminism and the LGBTQIA+ movement have been reshaping it and opening up new avenues for expression and inclusion. The solemn charm of classic tango is combined with androgynous bodies, and a new freedom emerges: creative, technical, but above all emotional and linked to gender diversity.