Nelson Pérez Sepúlveda

In his final years, forgotten muralist Fernando Daza is in the process of creating a new work by the name “Solo el Amor Resucita.” While the artist paints, the limits between poetry, muralism, and geography fade as we are taken on a trip from Chile’s north to its south. Time will the painter’s main issue: at 85 years old, his mind and his heart want to keep creating, but it is his body that will have the last word.

In his final years, forgotten muralist Fernando Daza is in the process of creating a new work by the name “Solo el Amor Resucita.” While the artist paints, the limits between poetry, muralism, and geography fade as we are taken on a trip from Chile’s north to its south. Time will the painter’s main issue: at 85 years old, his mind and his heart want to keep creating, but it is his body that will have the last word.

In his final years, forgotten muralist Fernando Daza is in the process of creating a new work by the name “Solo el Amor Resucita.” While the artist paints, the limits between poetry, muralism, and geography fade as we are taken on a trip from Chile’s north to its south. Time will the painter’s main issue: at 85 years old, his mind and his heart want to keep creating, but it is his body that will have the last word.