Gertrude Pabst

Harry would prefer to marry his Grete on the spot, but at first he must have the approval of his father-in-law. He must prove that he is able to feed his future wife. So the poor fellow has a lot to think about in order to make enough money - which does not go without complications.

Two young officers, Saint-Avit and Morhange, get lost in the desert and find themselves prisoners of the beautiful Antinéa, queen of the city of Atlantis. Saint-Avit, blinded by his love for her, obeys her when she orders him to kill his comrade... With L’Atlantide, Pabst offers a psychoanalytic reading of Benoit’s novel, with a dominant female figure who enslaves her lovers before destroying them. The film’s fantasy dimension is disturbing, L’Atlantide bathes in a humid nightmare atmosphere, between the desperate search for a missing friend and the apparitions of an underworld lost in the desert. A long, discursive flashback suggests the Parisian origins of Antinéa, born from the marriage between Clémentine, a pretty, light-thighed French Cancan dancer, and an Arab prince seduced during a theatrical performance. But again, it's impossible to know whether these are the ramblings of an old alcoholic or the strange truth.

Dr. Wittich is a passionate speleologist who spends more time on his research than on his fiancée Cornelia. As a result, she turns to the rich industrialist Roy, whom she eventually marries. But her heart actually belongs to the explorer and so she is drawn back to him.