Directing

Ariela Aïsha Azoulay

Acting credits

Behind the camera

The world like a jewel in the hand: unlearning imperial plunder ii poster
NR

This film travels over open books, looted objects and postcards to look for the imperial foundations of the world in which we live. Within this wide landscape the film focuses on the destruction of the Jewish Muslim world that existed in North Africa, making it imaginable and inhabitable again. Narrated in the first person, by an Algerian Jew and a Palestinian Jew, the film refuses imperial histories of those places. Objects held captive in museums and archives outside of the places from where they were looted are only the visible tip of the iceberg of the mass colonial plunder of Africa. The film explores the substantial wealth accumulated through the extraction of raw materials, labour, knowledge and skills, including the “visual wealth” attained by putting people in front of the colonisers’ cameras.

The world like a jewel in the hand: unlearning imperial plunder ii

2023

Palestine is here... where it has always been poster
NR

No synopsis available yet.

Palestine is here... where it has always been

2026

Palestine is here... where it has always been poster
NR

No synopsis available yet.

Palestine is here... where it has always been

2026

Un-Documented: Unlearning Imperial Plunder poster
NR

Un-Documented argues against Alain Resnais and Chris Marker’s film Statues Also Die (1963). Focusing on plundered objects in European museums and listening to the call of asylum seekers to enter European countries, their former colonizing powers, the film defends the idea that their rights are inscribed in these objects that were kept well documented all these years.

Un-Documented: Unlearning Imperial Plunder

2019

Un-Documented: Unlearning Imperial Plunder poster
NR

Un-Documented argues against Alain Resnais and Chris Marker’s film Statues Also Die (1963). Focusing on plundered objects in European museums and listening to the call of asylum seekers to enter European countries, their former colonizing powers, the film defends the idea that their rights are inscribed in these objects that were kept well documented all these years.

Un-Documented: Unlearning Imperial Plunder

2019

No artwork available
NR

In 2002, I began working on a short film – The Chain of Food - dealing with the question: is there or isn’t there hunger in Palestine? The figures in the reports of several humanitarian organizations and statements by various officials seemed rather ambivalent to me. I assumed that there is hunger in Palestine and that outdated conceptual categories—which identify hunger with the swollen bellies of children, as in the case of Biafra—have prevented us from seeing the situation in the Occupied Territories as it truly is.

The Food Chain

2002

Mille et un bijoux poster
NR

No synopsis available yet.

Mille et un bijoux

2025

Mille et un bijoux poster
NR

No synopsis available yet.

Mille et un bijoux

2025