John H. Moore

A six-part anthology of new television films produced by the BBC and broadcast on BBC2's Saturday nights between 12 December 1964 and 16 January 1965.

Patricia Routledge gives a career-best performance as Queen Victoria in this 1964 series of plays based on the celebrated collection of dramas by playwright Laurence Housman. Self-willed, obstinate, imperious and passionate... a now-familiar description of one of history's longest-serving female monarchs – but Housman's satirical tribute marked a decisive break with the tradition of the uncritical historical portrait. A Broadway hit deemed too disrespectful for public performance in Britain until the late 1930s, Victoria Regina is a frank portrayal of an extraordinarily complex woman, tracing her development from royal teenager to inconsolable widow at the helm of a vast empire, with all her contradictions, prejudices and unconstitutional behavior.

After a bunch of no-hopers approaches an employment agency, the anarchy mounts as they do a series of odd jobs, including a chimp's tea party, trying to stay sober at a wine tasting… and demolishing a house.

Ken Russell's silent film treatment of the 19th century comic novel by the Brothers Grossmith - George and Weedon. Starring Bryan Pringle, Avril Elgar and Murray Melvin. Adapted by Ken Russell and John McGrath. First shown on BBC2 at 10.10pm on Saturday 12th December 1964 - as part of the 'Six' strand.

A six-part anthology of new television films produced by the BBC and broadcast on BBC2's Saturday nights between 12 December 1964 and 16 January 1965.

Patricia Routledge gives a career-best performance as Queen Victoria in this 1964 series of plays based on the celebrated collection of dramas by playwright Laurence Housman. Self-willed, obstinate, imperious and passionate... a now-familiar description of one of history's longest-serving female monarchs – but Housman's satirical tribute marked a decisive break with the tradition of the uncritical historical portrait. A Broadway hit deemed too disrespectful for public performance in Britain until the late 1930s, Victoria Regina is a frank portrayal of an extraordinarily complex woman, tracing her development from royal teenager to inconsolable widow at the helm of a vast empire, with all her contradictions, prejudices and unconstitutional behavior.