Martín Emiliano Díaz

Four teenagers occupy an abandoned house, in a working-class neighborhood in the outskirts of Buenos Aires. They seek to build a shelter where they can escape from family abandonment, neighbor´s cruelty, and the constant stalking by the police. In a seemingly desolate neighborhood, with factory sounds and rusty walls, the four teenagers are constantly observed by people around them. Inhabit narrates the transitory, the impossibility of building and creating a sense of belonging in a hostile place with a marginalizing environment.

As part of repressive methodologies used by the State during the Social Revolt that began in October 2019, Chilean police has systematically shot the protesters in the eyes. Hundreds of people have suffered eye damage and have partially or totally lost their vision. The sunset walks through the streets of a Santiago de Chile, witness to these mutilations.

A family archive opens when a granddaughter discovers home-video footage from her grandfather’s 1995 journey to Beit Sahour. Over the next decade, she travels between Buenos Aires and Santiago de Chile, recording conversations, reunions and silences that reveal how exile reshapes names, memories and loyalties. Objects, old tapes and family stories become clues linking Chile to Palestine, mapping a lineage scattered by migration yet bound by remembrance. Moving between present-day encounters and the images that began it all, the film pieces together a living portrait of kinship and loss. Intimate and quietly political, it shows how personal testimony can restore a history that borders tried to sever, and how memory, once set in motion, draws distant homes closer.

No synopsis available yet.

Four teenagers occupy an abandoned house, in a working-class neighborhood in the outskirts of Buenos Aires. They seek to build a shelter where they can escape from family abandonment, neighbor´s cruelty, and the constant stalking by the police. In a seemingly desolate neighborhood, with factory sounds and rusty walls, the four teenagers are constantly observed by people around them. Inhabit narrates the transitory, the impossibility of building and creating a sense of belonging in a hostile place with a marginalizing environment.

Four teenagers occupy an abandoned house, in a working-class neighborhood in the outskirts of Buenos Aires. They seek to build a shelter where they can escape from family abandonment, neighbor´s cruelty, and the constant stalking by the police. In a seemingly desolate neighborhood, with factory sounds and rusty walls, the four teenagers are constantly observed by people around them. Inhabit narrates the transitory, the impossibility of building and creating a sense of belonging in a hostile place with a marginalizing environment.

As part of repressive methodologies used by the State during the Social Revolt that began in October 2019, Chilean police has systematically shot the protesters in the eyes. Hundreds of people have suffered eye damage and have partially or totally lost their vision. The sunset walks through the streets of a Santiago de Chile, witness to these mutilations.

As part of repressive methodologies used by the State during the Social Revolt that began in October 2019, Chilean police has systematically shot the protesters in the eyes. Hundreds of people have suffered eye damage and have partially or totally lost their vision. The sunset walks through the streets of a Santiago de Chile, witness to these mutilations.

A family archive opens when a granddaughter discovers home-video footage from her grandfather’s 1995 journey to Beit Sahour. Over the next decade, she travels between Buenos Aires and Santiago de Chile, recording conversations, reunions and silences that reveal how exile reshapes names, memories and loyalties. Objects, old tapes and family stories become clues linking Chile to Palestine, mapping a lineage scattered by migration yet bound by remembrance. Moving between present-day encounters and the images that began it all, the film pieces together a living portrait of kinship and loss. Intimate and quietly political, it shows how personal testimony can restore a history that borders tried to sever, and how memory, once set in motion, draws distant homes closer.

No synopsis available yet.